Movie News

Chiranjeevi was all set to team up with director Bobby Kolli for an exciting new project backed by KVN Productions. However, the launch has been postponed for now.

Now, news is that the makers are in plans to name the film as Kakaji. Though an official confirmation is yet to be made in this regard, this news has gone viral.

As the film is seeing delay with its launch, the makers are said to be taking time to reassess and stabilize things before proceeding with the film. Stay tuned for more updates.

Nandamuri Balakrishna has once again collaborated with mass director Gopichand Malineni for an action drama after Veera Simha Reddy. The project, tentatively titled NBK111, is set to go on the floors very soon.

Already, Nayanthara’s name has been associated with the biggie, and latest reports suggest that Kajal Aggarwal will also be part of it. In the past, Balayya worked with both these heroines and scored hits too. Balakrishna and Kajal shared the screen space in Bhagavanth Kesari, the inspiration behind Thalapathy Vijay’s Jana Nayagan.

An official confirmation is awaited about the female lead. The film is being bankrolled by Peddi producer Venkata Satish Kilaru under the Vriddhi Cinemas banner. Thaman is the music composer.

Bollywood star hero Shah Rukh Khan is currently immersed in the shoot of the gangster action drama, King. The film, which marks the silver screen debut of Suhana Khan, is being directed by Siddharth Anand of Pathaan and War fame.

According to an exclusive report in Bollywood Hungama, popular distributor Pen Marudhar of Pen Studios acquired the theatrical rights of King for a massive Rs. 250 crores (India-wide). The news isn’t surprising as King is fronted by one of the biggest superstars of Indian cinema. Pen Marudhar earlier released SRK’s Jawan, Dunki, and Zero.

King is getting released in the crowded Christmas 2026 window among the Hollywood biggies, Avengers: Doomsday, Dune 3, and Jumanji. The movie also stars Deepika Padukone, Rani Mukerji, Abhishek Bachchan, Suhana Khan, Anil Kapoor, Abhay Verma, and Arshad Warsi in key roles.

The trailer of Raja Shivaji was unveiled today, marking a special moment for Riteish Deshmukh. The actor has not only played the lead role but also directed the film, making it a deeply personal project.

Adding to the emotional connect, his wife Genelia Deshmukh is also associated with the film. During the trailer launch event, Riteish opened up about the struggles and challenges he faced while bringing this ambitious project to life.

As he spoke, Genelia was visibly emotional, highlighting the effort and dedication that went into making the film. Raja Shivaji, a Marathi historical drama, is now gearing up for release with strong expectations and heartfelt backing.

Dhanush will be next seen in the heist drama Kara, which is scheduled to hit the screens on April 30. The movie, directed by Vignesh Raja, stars Mamitha Baiju as the female lead. Dhanush has also been directing films now and then.

Latest speculation on social media suggests that Dhanush will soon helm a female-oriented film that will likely be fronted by Mrunal Thakur. Earlier, there were rumors all over social media that the two were in a relationship, but later the actress condemned them.

In light of those relationship rumors, the latest buzz is grabbing eyeballs. It is said that the movie will be set during the 1960s and that the shoot will commence very soon. An official confirmation is awaited.

Director-turned-hero Tharun Bhascker is busy promoting his new film, Gayappada Simham, which is slated to hit the big screens on May 1st. In an interview, Tharun firmly stated that he would never make formulaic entertainers.

“If I make a film with the regular formula of one introduction, four songs, and five fights, that would be my last project. Not just me, even the producer backing it would land in big trouble. Hence, I don’t even like taking advances for such films. Otherwise, my producer will end up swimming in Hussain Sagar,” said the Pelli Choopulu director.

The filmmaker’s statement has sparked a discussion among netizens, and his words indeed sound logical since template-based films are no longer being encouraged by audiences. Right now, Tharun Bhascker is working on the sequel to Ee Nagaraniki Emaindhi, which carries solid expectations.

Ram Pothineni is aiming to score a big commercial hit. His last outing, Andhra King Taluka, received applause, but the theatrical performance was not satisfactory. Earlier sources close to the actor suggested that Ram’s next will be directed by Lokesh Kanagaraj’s assistant.

According to the latest buzz on social media, Ram Pothineni himself will wield the megaphone for this project. If you think this is the most unexpected move from the actor, there is still more to it. Apart from planning to direct, Ram himself is said to have penned the script too.

Reports suggest that Ram Pothineni’s brother, Krishna Pothineni, will bankroll the film and that “The Lone Wolf” is the title under consideration. An official announcement will clear the confusion.

An old and heartwarming picture of Superstar Mahesh Babu is now going viral on social media, and it has brought a pleasant smile to the faces of fans. The reason for the joy is that it features Mahesh alongside his late mother, Smt. Indira Devi garu.

Mahesh Babu can be seen sitting in a chair beside a river during the shoot break, while Indira garu is involved in a fun banter with his son. AMB Cinemas’ official X handle posted the picture, and it’s hard to take eyes off this beautiful snap.

On the professional front, Mahesh Babu is currently working on his costliest and most ambitious film, Varanasi, directed by master storyteller Rajamouli. The movie, also starring Priyanka Chopra and Prithviraj Sukumaran, will hit the big screens on April 7, 2027.

A. Karunakaran, known for his youthful entertainers Tholi Prema, Darling, Happy, and Ullasamga Utsahamga, has now associated with young actor Bellamkonda Ganesh for a new-age romantic comedy entertainer. Mounika Reddy of Golden Turtle Entertainments will produce the project.

Three distinct creative voices have come together for this film. Karunakaran, who is an expert in crafting breezy and emotional love stories, joined forces with Anudeep KV for the dialogue part. Anudeep’s involvement is expected to infuse the narrative with a refreshing wit.

Adding further vibrancy is music composer Bheems Ceciroleo, known for his energetic, chart-topping tracks. His music is poised to amplify both the romantic and entertaining aspects of the film, giving it a lively and youthful appeal.

The film was launched today formally with a grand pooja ceremony. Ace director VV Vinayak graced the occasion and gave the first clap, while Anudeep KV formally handed over the script and switched on the camera. The shoot will begin soon. Other details about the cast and crew will be revealed at a later stage.

It has been 26 years since Badri hit the screens, and calling it just a hit film would not do justice. It stands as one of the most daring and risky projects in Pawan Kalyan’s career. At a time when he was building strong momentum, he chose to trust a newcomer, Puri Jagannadh, and gave him the opportunity to direct. That decision did not just pay off. It went on to influence Telugu cinema in many ways.

From the very beginning, Badri broke conventions. The film opens with a song, “I Am an Indian,” that arrives without any narrative setup, which was unusual for its time. The track blends Telugu, Hindi, and English lyrics, something rarely attempted back then. Today, Gen Z audiences might see this as normal or even stylish, but 26 years ago, it felt completely new.

Another striking choice appears in the opening credits. The names of the female leads, Renu Desai and Ameesha Patel, appear before Pawan Kalyan’s name. In a star driven industry, this was a bold move. It quietly indicated that the film was not just about the hero, but about relationships and emotional conflict.

One of the most talked about rumours surrounding Badri is about its climax. The buzz is that Puri Jagannadh shot a different ending where Badri realises his mistakes, understands how he hurt two people in the name of love, and chooses to walk away alone into darkness.

It might sound surprising, but the talk is that Pawan Kalyan liked this version. However, things reportedly changed later. There is a strong industry belief that a test screening or internal preview led to a rethink. Close associates felt that such a bleak ending might not connect with audiences, who expected emotional closure. That is how the current climax took shape.

If that version had been retained, Badri might have delivered one of the boldest climaxes Telugu cinema had seen, possibly far ahead of its time.

The film also faced a unique phase after release. Initial talk was poor, as audiences were exposed to a new style of music, action, and attitude. Some even labelled it a flop early on. Gradually, word of mouth began to build. The same elements that felt unusual started connecting, especially with the youth, turning the film into a success.

For those who watched Badri in theatres back then, it was more than just a film. It felt like a shift. The attitude, dialogue delivery, and body language stood out instantly. It was also where many of us first noticed the now iconic neck rubbing mannerism of Pawan Kalyan, which later became a trend.

What makes it more interesting is how the film connects today. Gen Z audiences who watch Badri often find it relatable. The ego clashes, flawed love, and attitude driven behaviour still feel current.

Badri is not just another film in Pawan Kalyan’s journey. It carries a raw and unapologetic energy that became part of his image. Even today, the film feels fresh in its making, music, and style. Very few of his films carry that same intensity.

Twenty six years later, Badri stands as proof that when a star backs a bold idea and a new voice, something lasting can be created. It was not just a success. It was a moment that still lives with us.