Reviews

Veerabhadrudu

Movie Name : Veerabhadrudu

Release Date : May 15, 2026
123telugu.com Rating : 2.75/5
Starring : Suriya, Trisha Krishnan, RJ Balaji, Swasika, Indrans and others
Director : RJ Balaji
Producers : S. R. Prabhu, S. R. Prakash Babu
Music Director : Sai Abhyankkar
Cinematographer : G. K. Vishnu
Editor : R. Kalaivanan
Related Links : Trailer

Suriya is back with Veera Bhadrudu (Karuppu), a mass entertainer directed by RJ Balaji. Trisha plays the female lead. Amidst decent buzz, the movie hit the big screens today, and let’s see how it is.

Story:

An old man (Indrans), along with his daughter from Tamil Nadu, arrives in Hyderabad for a surgery. Soon after reaching the city, robbers steal their jewellery. Though the police manage to catch the thieves, they ask the duo to approach the court to reclaim the stolen valuables.

At the Nampally court, the father and daughter come across Baby Krishna (RJ Balaji), a corrupt lawyer who keeps troubling them instead of resolving the case. As the situation worsens, divine intervention happens to teach the dishonest lawyers a lesson.

Plus Points:

Veera Bhadrudu is the best presentation of Suriya in recent times. For Suriya fans who have been waiting to see his massy side, this film will offer loads of joy. RJ Balaji served enjoyable theatrical moments in both halves, and Suriya’s magical screen presence further elevates the impact of those sequences.

Suriya pulls off the divine role with magical aura and charm. Be it his look, body language, or the ferocious action avatar, Suriya nailed it all. The actor looked very energetic on screen and thoroughly enjoyed portraying Veera Bhadrudu. Suriya unleashed madness in the finale, exhibiting fury, and this block leaves a very good impact. The interval and climax episodes are a treat for the masses.

The fun moments in the second half work well as the protagonist casts his magical spell. Moments like the post-interval fun courtroom sequence involving RJ Balaji, Vijay’s Leo reference scene, and the territory episode featuring Trisha click nicely, boosting the entertainment quotient. RJ Balaji, Indrans, Natty, Trisha, and other supporting cast did a good job.

Minus Points:

If we look at the emotional core and the basic storyline, the film doesn’t offer anything new and reminds us of Shankar and Atlee films that revolve around corruption. However, RJ Balaji packs the narrative with entertaining theatrical moments, and one needs to look beyond certain logics to enjoy the film.

The beginning portions of the film are slow-paced, and Suriya’s entry could have happened a bit earlier. The major drawback is the dubbing for Suriya, as it doesn’t pack the desired punch. More care should have been taken with this crucial aspect.

Since the two key characters hail from Tamil Nadu, they converse in Tamil whenever no one is around them. While this adds authenticity, the excessive use of Tamil feels a bit overdone

Technical Aspects:

Sai Abyankkar’s background score works well at times, but the song mixing could have been much better, as the lyrics are not audible at times. Cinematographer GK Vishnu did a top-notch job, and the coloring by Red Chillies neatly reflects the film’s mood. The production values are good, while the editing is decent.

RJ Balaji picked up a familiar subject, but added an interesting element to it by introducing limitations to god’s power. Suriya was presented in a solid manner, though writing needed more precision.

Verdict:

On the whole, Veera Bhadrudu is an okayish action drama with a few good moments. Suriya is in top form, and there are some enjoyable episodes. However, the basic premise and emotional portions feel quite routine, which limits the overall impact. There are some dubbing issues, and the songs aren’t as good as the Tamil version. As a result, the film ends up being just an okay watch.

123telugu.com Rating: 2.75/5

Reviewed by 123telugu Team

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Pati Patni Aur Woh Do

Movie Name : Pati Patni Aur Woh Do

Release Date : May 15, 2026
123telugu.com Rating : 2.25/5
Starring : Ayushmann Khurrana, Sara Ali Khan, Wamiqa Gabbi, Rakul Preet Singh and Others
Director : Mudassar Aziz
Producers : Bhushan Kumar, Renu Ravi Chopra, Krishan Kumar, Juno Chopra
Music Directors : Rajesh Roshan, Rochak Kohli, Tanishk Bagchi,Neelkamal Singh,Tony Kakkar, Lijo George, Badshah, Devv Sadaana
Cinematographer : Jishnu Bhattacharjee
Editor : Ninad Khanolkar

Related Links : Trailer

Bollywood has now come up with the comedy drama Pati Patni Aur Woh Do. Ayushmann Khurrana, Sara Ali Khan, Rakul Preet Singh, and Wamiqa Gabbi play the leads. Let’s see if the movie actually brings the laughs or leaves the audience disappointed.

Story:

Prajapati Pandey (Ayushmann Khurrana) works as a forest officer in Prayagraj and shares a quiet, peaceful life with his wife, Aparna (Wamiqa Gabbi). Things take a wild turn when two other women (Sara Ali Khan and Rakul Preet Singh) crash into his routine for entirely different reasons. How does their sudden arrival throw Prajapati’s life off balance? What kind of trouble does he land in, and how does he try to save his marriage? This forms the crux of the story.

Plus Points:

Ayushmann is an expert at playing the everyday middle-class man. He tries his best to carry the film on his shoulders with his signature comic timing. Sara Ali Khan and Rakul Preet Singh look great on screen and bring a solid dose of glamour to the proceedings. Meanwhile, Wamiqa Gabbi holds her own and delivers an impressive performance.

Minus Points:

Even with three heroines driving the drama, the core plot just feels empty and lacks enough meat. We get a string of scenes that feel completely recycled from older movies.

The first half is somewhat fine, but the screenplay slows down painfully after the interval. Some unnecessary sequences stretch the runtime beyond a point and eventually make things boring.

Director Mudassar Aziz struggles to land the jokes this time around. The dialogues lack the usual punch, and the emotional moments don’t really connect with the audience.

Technical Aspects:

The script is surprisingly flat, and the narrative moves forward without any real engaging twists. Tanishk Bagchi’s soundtrack leans way too heavily on remixes, while the background score is just okay.

Tighter editing could have easily fixed the pacing issues and saved the second half to an extent. On the bright side, the production values match the scale of the cast and look perfectly fine on screen.

Verdict:

On the whole, Pati Patni Aur Woh Do doesn’t deliver the entertainment you expect from it. Ayushmann Khurrana’s performance and the screen presence of the three heroines are the main positives. However, a flat story, dragged-out screenplay, and weak comedy make the film a disappointing experience. If you’re looking for a solid comedy entertainer this weekend, this one probably won’t work for you.

123telugu.com Rating: 2.25/5

Reviewed by 123telugu Team

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KD-The-Devil

KD-The-Devil

Movie Name : KD The Devil

Release Date : May 15, 2026
123telugu.com Rating : 2.25/5
Starring : Dhruva Sarja, Reeshma Nanaiah, Sanjay Dutt, Shilpa Shetty, Ramesh Aravind, Ravi Shankar
Director : Prem
Producers : Venkat K. Narayana
Music Director : Arjun Janya
Cinematographer : William David
Editor : Sanketh Achar
Related Links : Trailer

Kannada ‘Action Prince’ Dhruva Sarja returns with KD: The Devil, a PAN-India project mounted on a massive budget. Directed by Prem, the Telugu version of the film is now out in theatres. Let’s see how it actually plays out on the big screen.

Story:

Set in the 1980s, the story revolves around Deva (Sanjay Dutt), an underworld don also known as Doc Deva. He is so ruthless that even the Bengaluru police fear him, and no man dares to stand in his way. Enter Kali alias Kalidasa, or KD (Dhruva Sarja), an innocent but stubborn guy who happens to be Deva’s biggest fan. KD struggles with his studies, prompting his elder brother Dharma (Ramesh Aravind), a teacher, to stop talking to him. Despite this, KD loves his brother deeply.

Things take a dark turn when Deva attempts to murder Dharma’s family. What pushes KD to turn against his idol? Who is the mysterious rival don Bhairava? And what oath does Deva’s wife, Satya (Shilpa Shetty), take? The rest of the movie answers these questions.

Plus Points:

Even though Dhruva Sarja is the main lead, Sanjay Dutt is the major attraction here. The director presents him brilliantly. The action sequences and mass scenes designed for Dutt offer some respite.

Dhruva Sarja performs well in the role of an innocent, headstrong youngster, showing improvement over his previous film, Martin. Shilpa Shetty gets limited screen time, but she lands a solid, impactful role. Ramesh Aravind looks naturally young and delivers a dependable performance as the elder brother. Kichcha Sudeep’s climax cameo leaves a decent impression, adding to the film’s few redeeming mass moments.

Minus Points:

At its core, KD: The Devil is yet another Kannada action drama weighed down by extreme melodrama and unnecessary hero elevations. The plot feels routine, relying heavily on a standard mafia backdrop and logicless sequences.

The romantic track is easily the most frustrating part of the film. While Dhruva is fine in his solo scenes, his interactions with the heroine are highly annoying. The heroine’s character is written as hyperactive and loud, which quickly irritates the audience.

The film also struggles with pacing and character consistency. The climax twist might seem okay for a brief minute, but Dharma’s sudden shift, from a calm, honest man to someone who turns against his own brother for love, lacks basic logic. On top of that, the heavy use of the Pushpa 2 background score feels out of place. Finally, missing Ravi Shankar’s original voice in the Telugu version is a noticeable letdown.

Technical Aspects:

KVN Productions spent big on this film, and the grand sets clearly show off those high production values. However, the visual effects look weak in several places. Arjun Janya’s music is passable, but borrowing the Pushpa score was a bad move. The song placements feel forced and disrupt the flow. The editing needs serious work. Trimming the hero-heroine track would have made a huge difference.

Director Prem’s execution is below par. He initially sets up Sanjay Dutt’s character and builds decent tension right before the interval. Unfortunately, he doesn’t carry that momentum into the second half. Outside of a few solid action blocks, he relies too much on over-the-top drama rather than an engaging narrative.

Verdict:

Overall, KD: The Devil ends up as a disappointing action drama. While very few mass sequences featuring Sanjay Dutt and Dhruva Sarja work decently, the movie turns boring with over-the-top heroic elevations and a frustrating romantic track. The story had potential, but the execution isn’t good. You can skip this film.

123telugu.com Rating: 2.25/5

Reviewed by 123telugu Team

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Mr. Work From Home

Movie Name : Mr. Work From Home

Release Date : May 15, 2026
123telugu.com Rating : 2/5
Starring : Trigun, Payal Radhakrishna, Anish Kuruvilla, Satya Krishnan, Harshavardhan, Shivaji Raja, Venu Yeldandi
Director : Madhudeep Chelikaani
Producer : Arvind Mandem
Music Director : Arun Chiluveru
Cinematographer : Ravi Kumar.V
Editor : Kotagiri Venkateshwararao

Related Links : Trailer

Trigun and Payal Radhakrishna teamed up for an emotional family drama titled Mr. Work From Home. The film hit the screens today. Let’s see how it is.

Story:

Aravind (Trigun) firmly believes that managing life entirely through a “work from home” setup is the true mark of success. His routine gets a major shake-up when Mahi (Payal Radhakrishna) enters his life. Soon, Aravind’s work-from-home lifestyle triggers unexpected challenges regarding his family relationships and personal beliefs. How do things change for him after marriage? What exactly causes the friction between Aravind and Mahi, and where does his life end up? The rest of the movie answers these questions.

Plus Points:

The film manages to get a few family and romantic emotions right. The scenes leading up to the interval are decent and hold a bit of promise.

Trigun fits his role well, maintaining good looks and a suitable physique for the character of a home-bound professional. Payal Radhakrishna also delivers a neat performance as the female lead. The supporting cast, including Anish Kuruvilla, Satya Krishnan, Harshavardhan, and Shivaji Raja, does justice to their respective roles.

Minus Points:

The biggest issue with Mr. Work From Home is its incredibly slow screenplay, which fails to keep us engaged. The core conflict lacks depth, making it hard to connect with the main characters despite good performances. Additionally, the hero’s character arc feels poorly written and flat.

It’s highly doubtful that today’s generation will show interest in such a routine, old-school emotional drama. The story simply lacks freshness. While the director handles a few scenes decently, he completely ignores the heavy lag that plagues the narrative.

The lack of novelty, a dragged second half, and too many unnecessary scenes heavily dilute the plot. Even with a few okay comedy and romantic bits scattered around, the movie completely misses out on holding the attention as a whole.

Technical Aspects:

The core emotional idea is okay, but the execution is highly uninteresting. Prakash Cherukuri’s music is strictly average and doesn’t add much value. However, the cinematography by Ravi Kumar V stands out, capturing the natural visuals and indoor setups beautifully. The editing is fine, though the pacing needed a much tighter trim. Producer Aravind Mandem ensures good production values, making the film look visually pleasing despite its flaws.

Verdict:

Overall, Mr. Work From Home is a slow, predictable, and old-school emotional family drama. With a dragged-out narrative, uninteresting elements in the second half, and lack of depth in the core conflict, the movie becomes a tiresome watch. You can safely skip this one.

123telugu.com Rating: 2/5

Reviewed by 123telugu Team

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Movie Name : Mr. X
Streaming Date : May 14, 2026
Streaming Platform : Jio Hotstar
123telugu.com Rating : 2.5/5

Starring : Arya, Sarath Kumar, Gautham Karthik, Manju Warrier, Jayaprakash
Director : Manu Anand
Producers : Sree Vineeth Jain, Lakshman Kumar
Music Director : Dhibu Ninan Thomas
Cinematographer  : Arul Vincent
Editor : Prasanna GK

Related Links : Trailer

Mr. X is the latest spy thriller from Kollywood. Starring Arya, Sarathkumar, and Manju Warrier, this action film quietly slipped under the radar during its theatrical run due to negligible promotions. Now, the Telugu dubbed version has landed on Jio Hotstar. Let’s see how the film is.

Story:

The plot kicks off in the 1960s. America, worried about China’s growing nuclear power, teams up with India to plant a secret surveillance device near the Nanda river. A massive mix-up happens, and a highly dangerous nuclear device ends up at the location instead, before going missing entirely.

Fast forward to the present, RAW team leader Gautam (Arya) and RAW Director Indira Varma (Manju Warrier) face a huge international threat orchestrated by a criminal named Ravan. To stop him, they cross paths with a former RAW agent, Parameswar Surya Pratap (Sarathkumar). Who actually kept the nuclear device safe all these years? And what is Parameswar’s real role in this mission? This forms the crux of the story

Plus Points:

The second half packs some decent twists. The emotional moments bring the story to life. The action sequences look good and give the movie some energy. Arya looks the part of a macho RAW agent and gives a solid, measured performance.

But the real surprise here is Sarathkumar. He completely owns the title of Mr. X. He brings serious dedication to his stunts and gets highlighted in the movie’s biggest reveals. Meanwhile, Manju Warrier is highly confident in her role as the RAW Director, pulling off an unexpected action block in the climax. Gautham Karthik also does well, bringing a good amount of menace to the main villain role.

Minus Points:

The director takes way too long to pull the audience into the plot. The entire first half feels flat. Despite the potential, the narrative here sticks to a routine format that drags on without creating any real excitement.

When the second half finally ramps up the stakes, it trades logic for confusion. As the plot gets more complex, things get a bit too unrealistic. It’s also hard to ignore the heavy hangover from recent hit films like Vikram and Sardar.

The final twist regarding Sarath Kumar’s character in the climax won’t work for everyone. A spy thriller needs a gripping background score, but music here totally disappoints, relying on generic, recycled beats that kill the tension right when it matters most.

Technical Aspects:

Production values are just okay. The visual effects needed much more polish. While the cinematography handles the fast-paced action well, the editing feels choppy and could have been sharper.

Director Manu Anand picked a good core idea but struggled hard with the execution. Imitating the style of other successful movies makes the final product feel unoriginal. The director designed some good twists for the second half, but didn’t take enough care to keep the narrative grounded.

Verdict:

Overall, Mr. X is a below average spy thriller with only few decent moments. Sarathkumar’s powerful presence, a few decent action blocks, and a comparatively better second half offer some relief. However, the painfully slow first half, logical loopholes, and a highly irritating background score pull the movie down.

123telugu.com Rating: 2.5/5
Reviewed by 123telugu Team

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Godari-Gattupaina-1

Movie Name : Godari Gattupaina

Release Date : May 08, 2026
123telugu.com Rating : 2.75/5
Starring : Sumanth Prabhas, Nidhi Pradeep and others
Director : Subash Chandra
Producer : Abhinav Rao
Music Director : Naga Vamshi
Cinematographer : Saai Santosh
Editor :  Anil Pasala
Related Links : Trailer

Sumanth Prabhas has now come up with the romantic drama Godari Gattupaina. Let’s see how the film is.

Story:

Raju (Sumanth Prabhas) belonging to Velpuru is an auto driver. He accidentally meets engineering student Maaya (Nidhi Pradeep) and falls in love with her. Initially, Maaya hates Raju, but slowly she develops feelings for him. However, Maaya doesn’t do anything that her father Sam Babu (Jagapathi Babu) dislikes. How Raju wins Maaya’s hand in marriage forms the rest of the story.

Plus Points:

Music is the quintessential aspect of any love story, and Godari Gattupaina gets this element right. The first half almost feels like a musical entertainer with back-to-back songs that are soothing to listen to and pleasant to watch. Music drives the proceedings for most of the first half.

Sumanth Prabhas did a fine job in Godari Gattupaina. His effort to ace the Godavari slang is visible. As Sumanth stated in the interviews, the film tries to portray an auto driver as innocent and a good soul, avoiding the usual mass angle, which adds freshness to the character.

Debutant Nidhi Pradeep is neat in her role. She displayed conviction in her performance and appeared confident throughout the film. The drama during the last half-an-hour is decent. Sudarshan evokes some laughs here and there with his comic timing.

Minus Points:

Apart from the love story, Godari Gattupaina also aims to showcase a father-daughter bond, but the movie doesn’t do proper justice to this aspect. More scenes highlighting the bond could have been included to bring the desired impact at the end. Jagapathi Babu’s screen time should have been increased by reducing some unnecessary scenes.

There isn’t anything fresh or magical about the love story, with the scenes being quite normal in nature. The conflict point between the lead pair comes suddenly and should have had proper establishment beforehand. Given the plot, Godari Gattupaina feels too long, and it could have been easily 20 minutes shorter.

There is a block that revolves around a false rape accusation, and the entire sequence isn’t treated sensibly. A dialogue by the hero’s father casually brushes aside the damage a false accusation can cause to a man while only treating the woman’s reputation as serious. These lines come across as disrespectful, and this portion should have had a more balanced approach.

Technical Aspects:

Naga Vamshi’s music is the heart and soul of Godari Gattupaina, with almost every song striking a chord. The euphonious soundtrack, backed by Saai Santosh’s cinematography depicting the Godavari backdrop, makes the film somewhat work. The editing is below-par.

The production values are neat. Direction by Subash Chandra could have been much better. The culmination happens well, but the scenes leading up to the finale are underwhelming.

Verdict:

On the whole, Godari Gattupaina is a regular love story with only a few moments clicking, but it does have a very good album. Sumanth Prabhas and female lead Nidhi Pradeep did well in their respective roles, and the pre-climax to climax stretch works. However, the routine love scenes, prolonged duration, and some problematic portions work against the film.

123telugu.com Rating: 2.75/5

Reviewed by 123telugu Team 

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Sathi-Leelavathi

Movie Name : Sathi Leelavathi

Release Date : May 08, 2026
123telugu.com Rating : 2.5/5
Starring : Lavanya Tripathi Konidela, Dev Mohan, Naresh, VTV Ganesh, Sapthagiri, Motta Rajendran, Jaffer Sadiq, Tagubothu Ramesh, Joshi and others.
Director : Tatineni Satya
Producer : Nagaa Mohan
Music Director : Mickey J Meyer
Cinematographer : Binendra Menon
Editor :  Sathish Surya
Related Links : Trailer

Lavanya Tripathi has now come up with the family drama Sathi Leelavathi. Let’s see how the film is.

Story:

Sathi Leelavathi follows Leela (Lavanya Tripathi), a film director who marries Ram Sethu (Dev Mohan), whom she has known since childhood. However, their married life runs into problems, forcing Leela to take a shocking step. What is it? Did the lead pair separate, or did they solve their issues? The rest of the story unfolds around these questions.

Plus Points:

Lavanya Tripathi did a very fine job as Leela. The first half showcases the crazy and eccentric side of the female lead, and these scenes are mildly engaging. The witty face-off scenes between the lead pair work decently.

Comparatively, the first half of the film is bearable, and a few fun scenes work well here. Jaffar Sadiq generates some laughs, and the movie begins on a promising note.

Minus Points:

Sathi Leelavathi attempts to portray the issues in married life, but the film loses steam after the midway mark. The first half revolves largely around the lead pair, but the focus shifts to multiple subplots and comedy tracks in the latter hour, deviating from the primary point.

The fun episodes hardly work in the second half, making the film difficult to sit through. The entire episode featuring Saptagiri fails to create the intended impact, while Motta Rajendran’s track involving adult web shows turns irritating.

The emotional angle that emerges towards the end lacks both depth and logic. However, the biggest issue with the film is that it is made to appease family audiences, yet several dialogues carry double-meaning humor, defeating the very purpose the film tries to serve.

Dev Mohan looked neat, but his Telugu dubbing feels completely off and ends up affecting his performance. Madonna Sebastian is wasted in a poorly written role. VTV Ganesh and Naresh don’t have much to do.

Technical Aspects:

Micky J Meyer did a decent job, and the wedding song in the first half is good. Cinematography by Binendra Menon is effective, and production values are neat. Some portions could have been shortened in the second half.

Tatineni Satya chose a relevant subject, but his narration is neither entertaining nor engaging. After a point, the film runs out of ideas and drifts into unnecessary portions, taking away from the decent premise.

Verdict:

On the whole, Sathi Leelavathi turns out to be an underwhelming family entertainer. Despite dealing with a relevant subject, the film is weighed down by unnecessary comedy tracks in the second half. Lavanya Tripathi delivers a good performance, and the film starts on a promising note with some fun moments. However, the chaotic second half deviates from the core theme and ultimately weakens the overall impact.

123telugu.com Rating: 2.5/5

Reviewed by 123telugu Team 

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Movie Name : Razor

Release Date : May 08, 2026
123telugu.com Rating : 2.5/5
Starring : Ravi Babu, Tanish, Inaya Sultana, Baby Tejal Vikhyathi, Banerjee, Veeranna Chowdary, Ramaraju and others.
Director : Ravi Babu
Producers : Ravi Babu, Daggubati Suresh Babu
Music Director : Rajesh S S
Cinematographer : Bhalla Satyanarayana
Editor :  Rithvik Thammareddy
Related Links : Trailer

Ravi Babu is well-known as one of Tollywood’s most creative and underrated directors. Stepping away from his usual genres, his latest theatrical release is an action-packed film titled Razor. Let’s see if this movie helps him bounce back.

Story:

Home Minister Kanakaraju (Veeranna Chowdary) demands the Chief Minister’s seat from the current CM, Sitaramayya (Ramaraju). When Sitaramayya refuses, Kanakaraju and his sons assassinate him. A CCTV business owner named Vishnu (Tanish) accidentally gets hold of the murder footage. Because of this, Vishnu’s young daughter, Teju (Baby Tejal Vikhyathi), gets dragged into a deadly trap. Enter Rudra Pratap (Ravi Babu), a mobile pet groomer, who steps in as the little girl’s savior. Who exactly is Rudra Pratap? What is his dark past, and how does he stop the Home Minister? You have to watch the movie to find out.

Plus Points:

Ravi Babu’s action avatar is the biggest highlight of the film. His dynamic personality perfectly fits the heavy action sequences, and his hard work is clearly visible on screen. The gritty car shed fight sequence stands out as a major high point. He also surprises everyone with his emotional performance, especially during a hard-hitting family flashback in the second half.

The first half maintains a solid pace, blending intense action with an interesting mind game. Baby Tejal Vikhyathi delivers a wonderful performance, carrying the emotional weight of the film with her expressive face. Veeranna Chowdary, Tanish, and the rest of the supporting cast do a decent job in their respective roles.

Minus Points:

Despite a fast-paced start, the screenplay quickly falls into a highly predictable, routine format. Within the first few minutes, you can easily guess exactly where the story is heading.

The film suffers from glaring logical errors. For instance, a missing child creates a state-wide sensation, yet the police remain entirely clueless. Hiding crucial video evidence inside a child’s toy also feels incredibly outdated for a modern thriller.

After a somewhat engaging first half, the second half becomes noticeably dull. The energy of the action sequences drops, and the pacing drags. Furthermore, Ravi Babu’s dialogue delivery feels repetitive at times. During a serious gang meeting scene, his delivery style makes a tense moment feel unintentionally funny. Additionally, the heavy violence might make family audiences uncomfortable.

Technical Aspects:

The production values are decent, and the overall production design looks fine. However, the visual effects look weak in several frames. Rajesh SS provides a passable background score, though a few moments sound genuinely good. Bhalla Satyanarayana’s camerawork and Rithvik Thammareddy’s editing are adequate.

Coming to director Ravi Babu, this is a brave action attempt compared to his usual comedy and horror flicks. He designed his signature scenes well, but he severely compromised on logic. Satyanand’s screenplay works initially but loses steam entirely in the second half.

Verdict:

On the whole, Razor is an action-heavy drama that ends up as a below-average watch. Ravi Babu shines with his physical presence and stunts, but a highly predictable plot, major logical errors, and a sluggish second half pull the film down. It has very few Ravi Babu-mark scenes, and hence, audiences should keep their expectations very low if they plan to give it a try.

123telugu.com Rating: 2.5/5

Reviewed by 123telugu Team 

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Jetlee-Movie

Jetlee-Movie

Movie Name : Jetlee

Release Date : May 01, 2026
123telugu.com Rating : 2.5/5
Starring : Satya, Rhea Singha, Vennela Kishore, Ajay and others
Director : Ritesh Rana
Producers : Chiranjeevi, Hemalatha Pedamallu
Music Director : Kaala Bhairava
Cinematographer : Suresh Sarangam
Editor :  Karthika Srinivas
Related Links : Trailer

Jetlee is the latest outing from director Ritesh Rana, known for his quirky brand of comedy. With Satya taking the lead this time, the film arrives with a fair bit of curiosity. Let’s see how it fares.

Story:

Pragapathi (Ajay) runs a bank that collapses under a loss of Rs. 15,000 crore. After provoking Harish Chandra (Subhalekha Sudhakar), he flees to Dubai. Agent Shivani Roy (Rhea Singha) and her team set out to bring him back to India, boarding a flight where Jetlee (Satya) is also present. However, Jetlee suddenly loses his memory. Meanwhile, an attack targets Pragapathi. What follows, along with the mystery behind Jetlee’s identity and his presence on the flight, forms the rest of the narrative.

Plus Points:

Satya once again proves why he is one of the most dependable comedians. His screen presence and timing naturally evoke laughter, and he gets a relatively substantial role here. He manages to carry the film in several portions, blending comedy with a bit of action.

Vennela Kishore gets a well written role and delivers effectively. His innocent demeanor and interactions with Satya generate consistent humour. The movie puzzle book track and his timely responses land well and add to the entertainment.

Rhea Singha is decent in her part. Harsha Chemudu is underused but manages to draw a few laughs. Ajay and the rest of the supporting cast are adequate.

The film includes meme based elements like visual inserts during TV sequences, hidden references, and QR based jokes. While these are fewer compared to the director’s earlier works, they still manage to evoke occasional smiles.

Minus Points:

The premise is fairly simple, but the execution lets it down. The writing lacks depth and freshness, relying on familiar ideas and predictable phrasing. There is a noticeable sense of repetition, with several scenes reiterating the same beats without adding anything new. At times, the narrative even contradicts itself, leading to inconsistency.

The screenplay is sluggish and uneven. Ritesh Rana attempts to balance comedy and action, but the blend does not come together effectively, resulting in a film that feels both confused and underwhelming. A tighter and more focused screenplay could have significantly improved the experience.

While Satya performs well, this is not among his best works. His character could have been explored better. In fact, many characters lack proper depth and purpose. Ritesh is known for extracting humour from every character, but that strength is largely missing here.

After a passable first half, the second half turns increasingly stretched and exhausting. The narrative drags, and the pacing dips noticeably. The climax feels forced and lacks the signature touch seen in the director’s earlier films.

Technical Aspects:

The issue lies more in the writing than the direction. Ritesh Rana’s script does not have the sharpness expected from him. The cinematography is decent and supports the setting well. Editing is a major drawback, as the film feels longer than its actual runtime due to loose narration and unnecessary scenes. Production values are acceptable, while the CG work could have been handled more convincingly. The background score works to an extent.

Verdict:

On the whole, Jetlee is a bumpy ride that works only in bits and pieces. Satya’s performance is the primary factor that keeps it afloat, but it is not enough to fully salvage the experience. The weak writing, repetitive narration, and sluggish second half weigh the film down significantly. This ends up being one of Ritesh Rana’s weaker efforts. There are other options to be entertained.

123telugu.com Rating: 2.5/5

Reviewed by 123telugu Team 

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Gaayapadda-Simham

Gaayapadda-Simham

Movie Name : Gaayapadda Simham

Release Date : May 1, 2026
123telugu.com Rating : 2.75/5
Starring : Sree Vishnu, Tharun Bhascker,J.D.Chakravarthy,Faria Abdullah,Maanasa Choudhary,Kasyap Sreenivas,
Vishnu Oi, Harshavardhan, Subhalekha Sudhakar
Director : Kasyap Sreenivas
Producers : Kalyana Chakravarthy Manthina, Bhanu Kiran Pratapa, Vijay Krishna Lingamaneni, Umesh Kumar Bansal
Music Director : Sweekar Agasthi
Cinematographer : Vidya Sagar Chinta
Editor :  Viplav Nyshadam
Related Links : Trailer

Tharun Bhascker has now come up with the comedy drama Gaayapadda Simham. The movie marks the directorial debut of Kashyap Sreenivas. The film has been promoted quite well, and let’s see how it is.

Story:

Darahas (Tharun Bhascker) and YouTuber Shalini (Faria Abdullah) meet through a matchmaking setup, and soon they decide to get married. However, Shalini gets to know that Darahas and her father IG Vijayakanth (Subhaleka Sudhakar) have known each other for a long time. When asked about the same, Vijayakanth starts narrating about Darahas’ past and his connection to gangster Brutal Dharma (JD Chakravarthy).

Plus Points:

Gayapadda Simham features one of the most bizarre and crazy plotlines from Tollywood, and this initially draws our attention into the film’s world. To be able to think something different is definitely appreciable.

Tharun Bhascker is good as Darahas, a youngster who aims to take revenge on POTUS, Donald Trump. Director Kasyap Sreenivas plays a full-length role as the hero’s friend, and he did well. Some scenes evoke decent laughs here and there.

Minus Points:

Gaayapadda Simham aims to be a wacky and eccentric entertainer, but the narrative doesn’t quite pack a punch. Apart from a handful of gags, nothing really works much.

The first half moves at a slow pace, and this part introduces the key characters and their goals, acting as a setup for the chaos and madness that we expect to come. But the way the film ends is disappointing and dull. With such a crazy idea, we expect the goofiness and quirkiness to explode in the second half, but the movie doesn’t fully tap into its potential.

Initially, Sree Vishnu’s role shows promise, and the scenes depicting his peculiar family work to an extent, but the way the character is wrapped up is very underwhelming. The ending fails to live up to the setup established at the beginning. The same goes for JD Chakravarthy’s character. The actor got very less moments to shine, and that’s about it.

The final act mostly relies on spoof comedy, and it doesn’t land as intended. Attempts to generate fun through KGF’s narrative style, and the digs at Rohit Shetty’s Cop Universe don’t quite hit the mark. Female leads Manasa Choudhary and Faria Abdullah have very little to do in the narrative.

Technical Aspects:

Sweekar Agasthi’s music is okay, while cinematography by Vidya Sagar Chinta is neat. The production values are good, and editing needed more fine-tuning.

Director Kasyap Sreenivas has come up with a whimsical idea, but the presentation isn’t up to the mark to leave an impact. Very few moments click, and perhaps he should have gone ahead with wacky comedy instead of the parody approach towards the end.

Verdict:

On the whole, Gaayapadda Simham features a very interesting idea, but the execution is underwhelming, with only some scenes generating laughs. The movie promises a wacky ride initially, but the way it concludes lacks the desired impact. Tharun Bhascker did a fine job, and the second half starts well, but the film falls flat as it moves into the parody zone. Had the narrative been handled with more care, the movie would have realized its full potential.

123telugu.com Rating: 2.75/5

Reviewed by 123telugu Team 

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