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April 2026

Kara

Kara

Movie Name : Kara

Release Date : April 30, 2026
123telugu.com Rating : 3/5
Starring : Dhanush, Mamitha Baiju, K.S. Ravikumar, Karunas, Jayaram, Prithvi Pandiarajan, Suraj Venjaramoodu, M.S. Baskar, Sreeja Ravi & Others.
Director : Vignesh Raja
Producer : Dr. Ishari K. Ganesh
Music Director : GV Prakash Kumar
Cinematographer : Theni Eswar ISC
Editor :  Sreejith Sarang
Related Links : Trailer

Dhanush has now come up with the rural heist thriller Kara. The film is directed by Vignesh Raja of Por Thozhil fame. Let’s see how the movie is.

Story:

Karasaami (Dhanush), a thief, leaves his family behind and marries Malli (Mamitha Baiju). The duo works at a small hotel in Renigunta, Andhra Pradesh, to make a living. However, Karasaami is not satisfied with his financial situation. He returns to his father, Kandhasaamy (K. S. Ravikumar), seeking financial support. There, he learns that his father is trapped in a debt spiral after taking a bank loan. Karasaami realizes that banks are exploiting innocent farmers and decides to rob them. The rest of the story follows Karasaami’s attempts at robbery.

Plus Points:

The best part about Kara is that it sticks to its core theme from the beginning without deviating from the storyline. Even during the ordinary scenes, we stay glued to the screen since the narrative remains focused.

The heist episodes are designed superbly and are sure to keep us on the edge of our seats. Especially, the interval sequence is brilliantly executed and whistle-worthy. What makes these sequences more engaging is that the film initially portrays the protagonist’s failed attempts and vulnerability rather than presenting him as an unstoppable force, making the character arc feel natural. The cat-and-mouse game between Dhanush and the cops is nicely written and delivered.

To avoid a repetitive feel, Vignesh Raja constantly throws new challenges at the hero, making each theft sequence distinct from the other. Dhanush is a gem of an actor who can never go wrong with his performance. With Kara, he once again proves why he is hailed as an actor par excellence. Be it his intensity in the thrilling robbery scenes or his subtlety in emotional moments, Dhanush delivers his A-game throughout.

The emotional moments between the father and son work well in the first half. GV Prakash Kumar’s background score is scintillating and aligns perfectly with the narrative. His score elevates the impact effectively in several key moments. Suraj Venjaramoodu is stunning as a cop, highly determined to catch the thief. KS Ravi Kumar is solid in the father role, while Jayaram is too good as the regional bank manager. Karunas and others did well, too.

Minus Points:

The heist moments are undoubtedly brilliant, but the driving force behind the robbery scenes is the exploitation by banks through high interest rates and other charges. This theme has been explored multiple times in mainstream cinema, with the recent example being Shah Rukh Khan’s Jawan. While the core idea isn’t entirely new and may remind viewers of older films at times, the presentation keeps the proceedings engaging.

The director takes his time establishing the key characters and the central conflict, which makes parts of the first half feel slow-paced. The Telugu dubbing could have been better, as the dialogues occasionally sound a bit odd.

Mamitha Baiju appears convincing as a village belle, but she is underutilized. She gets limited screen time, and the emotional scenes in the latter half needed more impact to elevate the narrative further. In the end, Kara enters a Robin Hood-esque zone, which could have been avoided.

Technical Aspects:

GV Prakash Kumar’s songs may not have worked well as standalone tracks, but they fit the narrative effectively. As mentioned earlier, the background score is one of the main highlights. Theni Eswar’s cinematography is impactful, as he neatly captures the rustic setting of the film. The editing is in sync with the director’s vision. The production design is impressive, showcasing the 90s vibes.

Director Vignesh Raja delivers on the screenplay front, even though the chosen premise isn’t unique. The rural setup and the consistent storytelling throughout the film keep us engaged for the most part.

Verdict:

On the whole, Kara is a satisfactory period heist thriller set against a rural backdrop. The subject isn’t fresh and has been explored several times before, but Vignesh Raja’s grounded narration and well-executed heist episodes keep the proceedings engaging. Dhanush is extraordinary and is well supported by Jayaram and Suraj Venjaramoodu. Mamitha Baiju has a limited scope, and the emotional moments in the second half needed more punch. If you like watching heist thrillers, this film can be given a try.

123telugu.com Rating: 3/5

Reviewed by 123telugu Team 

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Youth-and-Ustaad

Youth-and-Ustaad

Youth and Ustaad Bhagat Singh debuted on Netflix the same day, with Pawan Kalyan’s star power initially pushing his film past the coming-of-age drama last week in views. However, the viewership landscape shifted significantly by the second week of release. While the action blockbuster started strong, it has struggled to maintain its early momentum against rising competition.

The Netflix rankings for April 20–26, 2026, show Youth holding steady in fourth place within the non-English movies category. It is currently tied with the Hindi web movie Toaster, as both titles secured 2.3 million views during this period. This surprising consistency allowed the drama to outperform expectations during its second week of streaming.

In contrast, Ustaad Bhagat Singh slipped from third to fifth place on the global charts, garnering 1.9 million views. This decline suggests that the initial star-driven surge is cooling off as audiences explore other trending titles on the platform. Directed by Harish Shankar, the film now faces a difficult climb to regain its previous dominance.

Youth, directed by and starring Ken Karunas, has proven to be a resilient contender by maintaining its fourth-place position. This level of staying power is notable, as it often eludes even the largest blockbuster releases in the digital space. Observers are now waiting to see if these rankings will stabilize or shift further in the week ahead.

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NTRNeel-1

NTRNeel-1

Jr NTR is undergoing a remarkable physical transformation for his upcoming film Dragon, directed by Prashanth Neel. The actor initially stunned fans with a lean and sculpted look, which, despite receiving mixed reactions, quickly went viral and dominated social media discussions.

Now, in a surprising shift, NTR is reportedly preparing for a second transformation. Under the guidance of a specialized trainer, he is said to be bulking up significantly to achieve a powerful, beast-like physique for the film.

This drastic change highlights the effort being put into creating distinct looks for the character. Interestingly, these two contrasting appearances are designed for different phases of the story, possibly spanning across two parts of Dragon.

Such a dual transformation adds an extra layer of intrigue and showcases NTR’s commitment to pushing his limits for the role. Stay tuned for more.

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Dhruva-Natchathiram

Dhruva-Natchathiram

The long delay surrounding Dhruva Natchathiram, starring Chiyaan Vikram, has finally come to an end following a major court ruling. After years of setbacks due to financial troubles and legal complications, the Madras High Court has now cleared the way for the film’s release, offering long-awaited relief to fans.

Justice Senthilkumar Ramamoorthy has directed that the film must hit theatres by June 15, 2026. In a significant move, the court has also taken control of the film’s financial handling, ensuring that all revenue generated will go toward clearing debts that have been pending since 2017. This decision is expected to prevent any further obstacles in the film’s release.

At the same time, director Gautham Vasudev Menon is aiming to bring the film to audiences even sooner, with plans to release it on May 22, 2026. While discussions with other producers are still underway, the project is now moving ahead with renewed clarity and momentum.

For Vikram and the entire team, this marks a crucial breakthrough. A film that once appeared stuck in limbo is now firmly back on track. After nearly a decade of uncertainty, Dhruva Natchathiram is finally set to reach theatres.

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Ram Pothineni’s last outing, Andhra King Taluka, directed by Mahesh Babu. P received good reports and talk, but the film failed commercially. The majority of the people who saw the film liked it, but the problem is that many didn’t watch it. Mythri Movie Makers’ CEO Cherry spoke about the film’s poor theatrical performance while promoting Jetlee.

“Andhra King Taluka is a good film with neat emotions and drama. Even with good talk and reviews, the revenues were disappointing. The theatrical performance was a shocker to us, with the distributor’s share being very low. Producers are in a safe position due to non-theatrical rights. The result is an indication that people are not very keen to watch the films in theatres anymore, other than tier 1 stars,” said Cherry.

He added, “Even for A-listers, if their films are released during festival season, they will work. If released during the non-festive season, the business prospects look bleak. People have become habituated to watching films on OTT to reduce expenses. This is my understanding. Otherwise, there is no reason why people should not go to Andhra King Taluka. Movie-going culture is slowly reducing due to high expenses and shorter OTT windows.”

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