Prabhas

Baahubali The Epic

Baahubali The Epic

When Baahubali: The Epic arrived in theatres, Telugu audiences were among its strongest supporters. Unlike a routine re-release, the film was presented as a reimagined version of the Baahubali saga, bringing together the story of the two blockbuster films in a new format. Fans embraced the experiment and turned up in good numbers to experience the epic in a different way.

Naturally, many expected that enthusiasm to continue when the film made its digital debut. But when Baahubali: The Epic arrived on Netflix, Telugu viewers were met with an unexpected disappointment: the Telugu version was missing.

At first, fans did not make much of it. Language versions often arrive later on streaming platforms, and delays are not uncommon. Many assumed the Telugu version would eventually find its way to OTT.

A few weeks passed.

Then a few months.

Yet there was still no sign of a release.

Now, nearly eight months later, Telugu audiences are still waiting.

Just when fans were beginning to wonder what had happened to the Telugu version, another development made the situation even more puzzling. Baahubali: The Epic expanded beyond India and was released in Japan, where it reportedly found a positive response from audiences. A Japanese Blu-ray release followed and brought with it a surprise that few expected.

The Blu-ray included a Telugu audio track!

Suddenly, the question became impossible to ignore.

If a Telugu version was available for a Japanese home-video release, why was it still unavailable on OTT in its home market?

For most viewers, importing a Blu-ray from Japan is hardly a practical solution. It is expensive, inconvenient, and beyond the reach of the average moviegoer. Yet that became one of the few ways for fans to legally access the Telugu audio version of Baahubali: The Epic.

The prolonged wait has also led to an unfortunate consequence. Enthusiastic fans reportedly began syncing Telugu DTS audio sourced from Blu-ray releases with the video version available online, creating unofficial versions that quickly spread across social media and piracy circles. Ironically, the absence of an official Telugu OTT release may have encouraged the very thing the industry has long tried to combat.

Despite all this, a large section of fans continues to wait for an official release. They want to watch the film legally, in the best possible quality, and on a platform that is easily accessible.

What has frustrated many viewers most is not simply the delay, but the silence surrounding it.

Nearly eight months have passed, yet there has been no public clarification from the makers regarding the Telugu OTT release. Whether the delay is the result of rights issues, platform negotiations, or other complications remains unclear.

The silence feels even more noticeable as attention shifts toward the future of the franchise. The makers are actively developing Baahubali: The Eternal War, an animated feature currently targeted for release in 2027. Fans are excited to see the world of Baahubali expand further, but many also feel that the unanswered questions surrounding Baahubali: The Epic deserve equal attention.

After all, Telugu audiences were instrumental in turning Baahubali into a cultural phenomenon long before it became a global success story.

That is why the question refuses to go away:

If a Telugu audio track can be included on a Japanese Blu-ray release, why is the Telugu OTT version of Baahubali: The Epic still missing after all these months?

More importantly, will the makers finally address the audience that has been waiting patiently for an answer?

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SS Rajamouli, the legendary Tollywood filmmaker who took Telugu cinema to the global stage with Baahubali, continues to expand the franchise in exciting ways. After presenting Baahubali The Epic as a combined cinematic experience, the makers surprised fans with Baahubali The Eternal War, a 3D animated saga set in a completely new mythological realm with a fresh narrative and a different director at the helm. Now, the project has grabbed attention once again for a major milestone.

The film has been officially selected for the Work in Progress showcase at the Annecy International Animation Festival 2026 in France. Widely regarded as the Cannes of animation, the prestigious event has picked Baahubali as a key representation of India’s evolving storytelling on a global platform. This also means that top international critics are getting their first glimpse of the film’s visuals.

Unlike the earlier films, this story explores the afterlife following the death of Amarendra Baahubali, where he is drawn into a cosmic battle between the Devas and the Asuras. Spanning 14 mystical realms, the narrative blends Indian mythology with high fantasy elements on a grand scale.

Adding to the excitement, Prabhas and Ramya Krishna return to voice their iconic characters, while MM Keeravaani composes the music for this ambitious project. Directed by Ishan Shukla, the film features a highly detailed 3D animation style comparable to global standards.

Backed by Arka Media Works with a reported budget of Rs. 120 crore, this is one of India’s most ambitious animated films to date. With international collaboration ensuring top tier quality, Part 1 is currently scheduled for release in 2027.

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Prabhas

A week ago, the Telugu romantic drama Couple Friendly was released. The film features Santosh Soban and Manasa Varanasi as the lead pair. Ashwin Chandrasekhar directed this decent outing, which also received appreciation from India’s biggest superstar, Prabhas.

Surprisingly, Prabhas, who is busy juggling multiple projects, took time off to spend time with the young team after watching their lovely film. The interaction was fun and engaging. A promo from their meeting was released, and the full video is set to come out today. Santosh Soban, in particular, expressed how blessed he feels to have Prabhas’ support.

He shared a warm picture on social media in which he is seen hugging Prabhas tightly, expressing admiration and heartfelt gratitude for his long-standing support. The picture garnered immense love and received a large number of likes from fans.

Meanwhile, the lead pair of Couple Friendly is set to reunite for another film under the direction of the same filmmaker. Details regarding the commencement of the project will be announced soon by producer Dheeraj Mogilineni.

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The Raja Saab

The Raja Saab

The buzz around The Raja Saab was loud before release, but three days into its run, the film’s journey at the box office tells a more restrained story. Expectations were sky-high for Prabhas’ horror fantasy, yet the final output appears to have slowed its momentum.

The makers have now put out the official numbers for the first three days. The film has reportedly grossed Rs. 183 crore worldwide across all languages. While collections picked up slightly on the third day compared to the second, they still did not come close to the opening-day figures. With the Sankranthi corridor now crowded with new releases, the road ahead looks challenging.

Helmed by Maruthi, the film brings together Malavika Mohanan, Nidhhi Agerwal, Riddhi Kumar, Zarina Wahab, Sanjay Dutt, and Boman Irani. Produced by People Media Factory on a lavish scale, the film features music composed by Thaman.

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The-Raja-Saab

The-Raja-Saab

The makers of Prabhas’ The Raja Saab have now revealed that the movie earned Rs. 112 crores gross on its opening day worldwide. This is the biggest-ever start for a horror fantasy Indian film.

This is the sixth film of Prabhas to open over Rs. 100 crores at the box office, after Baahubali 2, Saaho, Adipurush, Salaar, and Kalki 2898 AD. Prabhas is the only hero to have six Rs. 100-crore openers in Indian cinema, proving why he is among the biggest stars in the country.

Despite bookings being delayed in Nizam, which is a strong forte of Prabhas, The Raja Saab still earned over Rs. 100 crores, with the majority of collections coming from the Telugu version alone. Also, the fact that the movie collected over Rs. 100 crores, in spite of mixed reviews, shows us the mega stardom of Prabhas.

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The Raja Saab

The Raja Saab

Movie Name : The Raja Saab

Release Date : Jan 09, 2026
123telugu.com Rating : 2.75/5
Starring : Prabhas, Sanjay dutt, Boman Irani, Malavika Mohanan, Nidhhi Agerwal, Riddhi Kumar, Zarina Wahab
Director : Maruthi
Producers : TG Vishwa Prasad, Krithi Prasad
Music Director : Thaman S
Cinematographer : Karthik Palani
Editor :  Kotagiri Venkateswara Rao

Related Links : Trailer

For the first time in his career, Prabhas headlines a horror fantasy with The Raja Saab. Directed by Maruthi, the film features Malavika Mohanan, Nidhhi Agerwal, and Riddhi Kumar as the female leads. Released today amid considerable hype and expectations, here is our review of The Raja Saab.

Story:

Gangamma (Zarina Wahab), an Alzheimer’s patient, is looked after by her grandson Raju (Prabhas). While she forgets almost everything, she clings to memories of her husband, Pekamedala Kanakaraju (Sanjay Dutt), an exorcist believed to be living in exile. Raju’s search for his grandfather leads him to Hyderabad, where he uncovers a disturbing truth – Kanakaraju is long dead and has returned as a dangerous spirit. As Raju delves deeper, he begins to unravel his grandfather’s dark past and the greed that shaped his actions. The ensuing conflict between them forms the heart of the story.

Plus Points:

Prabhas appearing in a full-fledged comic role after a long gap is one of the film’s few refreshing elements. He makes a conscious effort to step out of his comfort zone. While the results are uneven, a handful of scenes work and generate genuine laughs. Satya complements him well and strengthens the humor wherever the writing allows.

Zarina Wahab is given a character with emotional depth and delivers a composed, dignified performance. The emotional thread associated with her character connects effectively in select portions.

Sanjay Dutt gets a well-defined role and brings the required intensity. His psychological play with Prabhas and others adds intrigue and holds attention whenever it takes center stage.

The second half contains a few isolated moments that stand out. Sequences such as Prabhas’ encounter with the shadows, Sanjay Dutt’s psychological play involving Boman Irani, and the hospital scene showcasing Prabhas’ emotional side are among the better-executed portions. These moments briefly elevate the film, even though they fail to transform the overall

Minus Points:

Director Maruthi’s ambition to present the story on a grand scale was evident from the promotional material and raised expectations. However, the execution does not live up to the promise. What appears compelling on paper falters on screen due to weak writing and inconsistent direction.

Prabhas puts in sincere effort in the comedic space, but several scenes fail to register because the humor lacks sharpness and the staging feels ineffective. This tonal imbalance may feel jarring, particularly for his fan base. Malavika Mohanan’s Tollywood debut is restricted by a role that offers minimal scope for performance. Nidhhi Agerwal and Riddhi Kumar remain largely ornamental, contributing little to the story. The songs featuring them feel forced and disrupt the suspense-driven tone. The placement of “Nache Nache” is especially ill-judged and unnecessary.

Supporting actors such as Samuthirakani, Rangasthalam Mahesh, and Sapthagiri are underutilised in poorly written roles. The comedy remains largely routine. The first half lacks cohesion and feels disjointed, while the sluggish momentum continues well into the second half. A runtime close to three hours only magnifies these

Technical Aspects:

Maruthi misses a valuable opportunity to deliver a strong entertainer despite having Prabhas at the centre. His faith in the material is not backed by solid writing or disciplined execution, resulting in a film that struggles to find a clear tonal identity.

Thaman’s background score is one of the film’s major drawbacks. Loudness is repeatedly mistaken for impact, and the excessive noise overwhelms several scenes, diminishing their intended effect. Karthik Palani’s cinematography is adequate in parts and offers occasional visual appeal. Kotagiri Venkateswara Rao’s editing needed sharper trimming, especially in the first half, to remove filler sequences and improve narrative flow. The CG work is inconsistent and only average. Production values are maintained at a reasonable

Verdict:

On the whole, The Raja Saab is a horror fantasy that works only in bits and never comes together as a cohesive whole. Prabhas’ attempt at comedy is sincere but inconsistent. The female characters are underwritten, while pacing issues, tonal imbalance, and weak storytelling weigh the film down. Though the second half offers a few engaging moments, they are too sparse to elevate the overall experience. The comedy works sporadically, making this film suitable only for die-hard Prabhas fans or viewers inclined toward the genre, provided expectations are kept firmly in check.

123telugu.com Rating: 2.75/5

Reviewed by 123telugu Team 

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Fauzi

Fauzi

Prabhas and Hanu Raghavapudi’s Fauzi, produced by Mythri Movie Makers, is set against the pre-Independence era. The first look and title were released recently on Prabhas’ birthday. In an interview with Deccan Chronicle, the director revealed many interesting facts and confirmed a sequel to Fauzi. Hanu Raghavapudi described Fauzi as an action-packed story set in the 1940s colonial era.

“Prabhas plays a larger-than-life soldier in Fauzi, and I wanted to infuse his character with the traits of legendary warriors. To me, Arjuna, Karna, and Ekalavya represent three distinct yet powerful dimensions of heroism — skill, sacrifice, and devotion. I wondered what would have happened in the Mahabharata if Karna had joined forces with the Pandavas — it would have completely changed the course of the war. That thought inspired me while shaping this film,” stated Hanu.

Hanu Raghavapudi clarified that Fauzi isn’t a mythological film and further said that the film just draws inspiration from the Bhagavad Gita. According to him, the movie explores the powerful patriotic drama that explores human emotions and socio-political tensions during the British era.

The director added, “We’re portraying one world of Prabhas in this movie, and the second installment will explore another dimension. There’s abundant material from our colonial past — stories that ended tragically but could’ve been fairy tales in another reality. I’ve also woven in a few real-life experiences that inspired me personally.”

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The title and first look of Prabhas and Hanu Raghavapudi’s film will be launched tomorrow at 11:07 AM on the occasion of the actor’s birthday. The movie is being produced by Mythri Movie Makers on a massive budget. We reported earlier that the film is set against the pre-Independence period.

The latest update from the makers confirms the same, and it indeed gives immense scope for fan theories. The text on the poster read, “Most Wanted Since 1932,” possibly hinting at the film’s connection to Netaji Subhash Chandra Bose. Also, the social media post hinted at the film’s inspiration from the legendary Karna character in the Mahabharata.

What could be the film’s theme? This is the question currently running in the minds of netizens, and we will get to know more details in a day. Imanvi plays the female lead, while senior actors Jayapradha and Mithun Chakraborty essay vital roles. Vishal Chandrasekhar is the music composer.

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Prabhas Hanu

Prabhas is now busy with multiple films, and one among them is Fauji. The biggie is being directed by Hanu Raghavapudi and is set against the pre-Independence era. The shoot is progressing at a brisk pace. Prabhas plays a soldier in this flick.

Latest media reports suggest that a prequel to Fauji is also in the works. Generally, most biggies will have a sequel, but a prequel is something that we don’t see more often. If the prequel really happens for Fauji, it will be interesting to see what Hanu Raghavapudi has up his sleeve.

It is further said that around 40% of the shoot is pending and that the makers are targeting an August 2026 release. Social media sensation Imanvi plays the female lead in this big-ticket entertainer, which is produced by Mythri Movie Makers. Bollywood actor Mithun Chakraborty is essaying a crucial role.

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Prabhas

They Call Him OG is Power Star Pawan Kalyan’s most ambitious film to date, directed by Sujeeth. Starring Priyanka Arul Mohan as the female lead, the movie is scheduled to hit the big screens on September 25, 2025, and the buzz among audiences is massive.

The makers were supposed to release the trailer at 10:08 AM this morning but failed to do so, leaving fans disappointed. They later announced that the trailer will instead be launched during the Og Concert at LB Stadium, Hyderabad, this evening.

Meanwhile, an interesting rumour about the pre-release event is trending on social media. Speculation suggests that Prabhas might attend the event. The news has spread like wildfire online, though there has been no confirmation from the makers.

Many believe this could be true, since director Sujeeth previously worked with Prabhas on Saaho, and the actor is known to have a good rapport with him. Reports even suggest that Prabhas has given a green signal to attend.

In a few hours, we’ll know whether Prabhas will actually grace the event or if this is just another rumor. Until then, fingers crossed.

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