Telugu Reviews

Super-Subbu Review

Super-Subbu Review

Web Series Name : Super Subbu
Streaming Date : July 2, 2026
Streaming Platform : Netflix
123telugu.com Rating : 3/5
Starring : Sundeep Kishan, Mithila Palkar, Murli Sharma and others
Director : Mallik Ram
Producers : Rajiv Chilaka, Bharath Laxmipati
Music Director : Anudeep Dev
Cinematographer : AJ Aaron
Editor : Viplav Nyshadam

Related Links : Trailer

Super Subbu is Netflix’s first Telugu original series. Headlined by Sundeep Kishan, it also marks Bollywood actress Mithila Palkar’s Telugu OTT debut. Created and directed by DJ Tillu fame Mallik Ram, this seven episode comedy drama is now streaming. Here’s our review.

Story:

Subramanyam Chilukuri Rao, aka Subbu (Sundeep Kishan), works as a computer teacher, a job he dislikes but continues because of his father, Kukkuteswara Rao (Murali Sharma). After an unexpected incident puts his career at risk, Principal Madhusudana Rao (Brahmanandam) appoints him as a government Sex Education Officer in Makhipur, Telangana, a village with an unusually high birth rate. Tasked with spreading awareness about family planning, Subbu must deal with the village’s eccentric residents, overcome several unexpected challenges, and navigate his own personal life. How he manages all of this forms the rest of the story.

Plus Points:

The biggest strength of Super Subbu is its refreshing premise. Choosing sex education as the central theme is a bold move, especially in Telugu content where the subject is rarely explored. The series presents the topic with a light hearted approach while also addressing the social stigma and hesitation surrounding it, making the narrative both relevant and accessible.

Sundeep Kishan once again proves his versatility with a terrific performance as Subbu. He fits the role perfectly, balancing comedy and emotion with ease while making the character relatable throughout. His chemistry with Murali Sharma works well, and his effortless screen presence ensures the series remains watchable even during its inadequate moments. It’s another solid performance from the actor. Murali Sharma is dependable as always, while Getup Srinu contributes with effective comic timing. Despite limited screen time, Mithila Palkar leaves a pleasant impression in her Telugu OTT debut.

The series also deserves credit for attempting something different. It blends comedy with a meaningful social message without becoming preachy. The latter episodes offer better emotional moments, and the supporting cast, including Brahmanandam, Divya Pillai, Jeevan Kumar, and Raghu Babu, fit their roles well and contribute to the overall entertainment.

Minus Points:

While the premise is refreshing, the screenplay occasionally loses momentum, particularly in the middle episodes where a few scenes feel stretched and could have been trimmed for a crisper narrative.

The emotional writing works in parts, but a few scenes could have delivered greater impact with stronger character development. The romantic track between Subbu and Manasa also remains fairly basic and misses the opportunity to leave a stronger emotional impression.

The pacing remains slightly uneven across the seven episodes. A tighter edit would have made the overall viewing experience more engaging and consistent.

Technical Aspects:

Mallik Ram deserves appreciation for choosing an unconventional subject and presenting it in an accessible and entertaining manner. While the screenplay could have been tighter in parts, the series succeeds in balancing comedy with its underlying social message. AJ Aaron’s cinematography captures the rural backdrop neatly and complements the narrative well.

Anudeep Dev’s music blends well with the proceedings, while the background score supports both the emotional and comic moments. Viplav Nyshadam’s editing is decent, though trimming a few stretched portions would have improved the pacing further. The production values are consistently good.

Verdict:

On the whole, Super Subbu is a watchable comedy drama that benefits from a refreshing premise and sincere performances. Sundeep Kishan delivers a likeable performance, while the supporting cast adds to the series’ charm with capable performances. Although the screenplay loses some momentum in the middle and a few character arcs could have been fleshed out better, the humour, emotional moments, and socially relevant theme keep the narrative engaging. If you’re looking for a light hearted entertainer with a refreshing backdrop and a meaningful message, Super Subbu is worth checking out.

123telugu.com Rating: 3/5
Reviewed by 123telugu Team 

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Web Series Name : Gurthukosthunnayi
Streaming Date : July 3, 2026
Streaming Platform : ETV Win
123telugu.com Rating : 3.25/5
Starring : Viraj Ashwin, Yashashree Rao, Rohini Hattangadi
Director : Winod Gali
Producer : Sarath Chandra Naidu
Music Director : Suhas
Cinematographer  : Rehan Shaik
Editors : Sreedhar Sompally ; Venkatesh Chunduru

Related Links : Trailer

ETV Win’s latest Telugu original series, Gurthukosthunnayi, has made its digital debut today. Featuring Baby fame Viraj Ashwin and marking social media influencer Yashashree Rao’s Telugu debut, the family drama arrived with a nostalgic premise that caught viewers’ attention. Has it lived up to the expectations? Here’s our review.

Story:

After overcoming countless hurdles, Santosh (Viraj Ashwin) finally convinces the strict principal Raghunath (Priyadarshini Ram) to let him marry his daughter, Vaishali (Yashashree Rao). Just when everything seems to fall into place, Santosh heads to Goa for a bachelor party with his childhood friends Bomma Anand (Godavari Gopi), Ganesh (Viva Raghava), and Srikanth (Pavan Siddu). However, an unfortunate accident changes his life completely, leaving him with a condition that allows him to remember only recent events while erasing his past memories. As this unexpected turn threatens the wedding, Santosh and his loved ones are forced into an emotional dilemma. Will the marriage still happen? How do his parents cope with the situation? Does Vaishali’s family discover the truth? The answers unfold in the rest of the series.

Plus Points:

The biggest strength of Gurthukosthunnayi is the way it evokes nostalgia. Built around a simple premise, the series beautifully recreates moments that instantly transport viewers back to their childhood. From copying during exams and pulling harmless pranks on teachers to impressing a school crush, making lifelong friends, and cherishing precious moments with grandparents, every situation feels authentic and relatable. Rather than using these moments merely as emotional triggers, the series organically integrates them into the narrative, making them resonate on a deeply personal level.

The seven-episode format largely works in the series’ favour, ensuring the narrative remains engaging without overstaying its welcome. One of the most enjoyable stretches comes when Santosh’s friends recreate incidents from their school days in an attempt to help him reconnect with his forgotten past. Their friendship feels genuine, while the clean, situational humour that emerges from these interactions keeps the narrative consistently entertaining without becoming loud or repetitive.

The emotional portions are equally compelling. The fifth episode emerges as the emotional backbone of the series, exploring one of Santosh’s most cherished relationships with remarkable sensitivity. The finale provides a touching conclusion that brings the protagonist’s journey full circle with warmth and sincerity. The flashback portions are executed with remarkable honesty, allowing the emotional beats to land effectively.

Viraj Ashwin delivers a sincere and restrained performance, relying more on subtle expressions than lengthy dialogue to convey Santosh’s emotional journey. Priyadarshini Ram is excellent as the strict yet caring father, convincingly portraying the concern and vulnerability of a parent preparing to marry off his daughter. Rohini Hattangadi delivers one of the finest performances in the series, particularly in the fifth and final episodes. Viva Raghava once again proves his versatility by excelling in both comedy and emotional scenes, while Godavari Gopi, Pavan Siddu, and Shiva Narayana Naripeddi provide dependable support and make the friendship and family portions even more enjoyable.

The flashback sequences receive additional strength from the child actors, who convincingly portray the younger versions of the lead characters. Their natural performances add authenticity to every nostalgic moment and significantly enhance the emotional impact. Suhas’s songs blend seamlessly into the narrative, enriching the storytelling without interrupting its flow.

Minus Points:

The storyline itself is fairly simple and predictable. Although the execution remains engaging, the narrative doesn’t offer many surprises. A few portions in the middle episodes briefly lose momentum before the narrative regains its grip soon after.

Yashashree Rao looks charming on screen, but her character is underwritten and offers limited scope to showcase her acting abilities. As a result, she doesn’t leave as strong an impression as the rest of the principal cast.

Technical Aspects:

Director Winod Gali deserves appreciation for proving that a simple story can leave a lasting impact when backed by honest and grounded storytelling. He ensures every nostalgic moment feels organic without allowing the sentiment to overshadow the narrative. Writer Rajashekar Reddy Baddam complements this vision with a screenplay that strikes a neat balance between humour, friendship, romance, and family drama.

Suhas’s songs blend effortlessly into the narrative, while Ajay Arsada’s background score elevates several key moments with remarkable effectiveness. Rehan Shaik’s cinematography complements the mood with pleasing visuals, and the editing by Sreedhar Sompally and Venkatesh Chunduru maintains a neat pace despite a couple of minor slow stretches. Shiva Kumar Macha’s production design convincingly recreates the different phases of the story, and the overall production values remain impressive throughout.

Verdict:

On the whole, Gurthukosthunnayi is a delightful seven-episode series that beautifully celebrates childhood, friendship, and family bonds. While the storyline follows a predictable path and the middle portions lose some steam, its honest storytelling, convincing performances, and impressive music make it a thoroughly satisfying family entertainer. It stands out as one of the finest Telugu web series in recent times and is a perfect choice for a family binge-watch over the weekend. By the end, it leaves viewers with a heart full of cherished memories and a smile that lingers long after it ends.

123telugu.com Rating: 3.25/5

Reviewed by 123telugu Team 

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Isakapatnam

Web Series Name : Isakapatnam
Streaming Date :   July 2, 2026
Streaming Platform : Prime Video
123telugu.com Rating : 2.75/5
Starring : Samuthirakani, Aishwarya Rajesh, Sunil, Naresh Agastya, Merin Philip and others
Director : Garry BH
Producers : Rahul Tamada, Saideep Reddy Borra
Music Director : Praveen Lakkaraju
Cinematographer  : Vamsi Patchipulusu
Editor : Garry BH

Related Links : Trailer

Prime Video has now come up with a Telugu web series, Isakapatnam, headlined by Aishwarya Rajesh. Directed by Garry BH, the show also features Samuthirakani, Naresh Agastya, Sunil, and others in key roles. Let’s see how the series is.

Story:

Set against the backdrop of Isakapatnam, a port city, the series revolves around the quest for power. Mr. Naidu (Samuthirakani) arrives in Isakapatnam as a nobody but soon establishes himself as the monarch by killing Chinnarao (Rajeev Kanakala). Mr. Naidu enjoys the support of political leaders and the police department, but his daughter Bharathi (Aishwarya Rajesh) doesn’t approve of his actions. Meanwhile, his rival Prathap Varma (Ravi Varma) keeps trying to bring him down, and Naidu devises a strategy to counter him, leading to a series of intergroup conflicts, chaos, and ultimately, bloodshed.

Plus Points:

The series features very good performances from Samuthirakani, Aishwarya Rajesh, Naresh Agastya, Jwala Koti, and Sudhakar Komakula. Though the writing doesn’t quite live up to the show’s ambitions, the performances make the series watchable to an extent.

Samuthirakani is solid as a man constantly hungry for power and dominance, while Aishwarya Rajesh is fine in a dual-shaded role. Naresh Agastya delivers a promising performance as a man striving to rise above his circumstances, while Jwala Koti, Banerjee, Sudhakar, and Raja Chembolu are apt in their respective roles.

Minus Points:

Race for power and the battle for dominance are themes that have been explored in umpteen films lately. Hence, something special must be brought to the table to make the series stand out, but Isakapatnam falters in this regard.

The pacing is maintained decently, but the screenplay doesn’t feature the required high moments and flashy sequences to hold the attention throughout. The much-needed tension is missing in the proceedings. There are some decent moments, but they are short-lived. The world of Isakapatnam is dark and has the scope of being an intense gangster drama, but the writing simply doesn’t deliver.

Most characters are grey-shaded but they aren’t developed properly and appear one-note beyond a point lacking excitement. The death of key characters aren’t handled effectively as the scenes leading to them aren’t strong enough to carry the impact. The twist reveal in the climax doesn’t pack a punch with the narrative already giving hint about it.

The threat to Samuthirakani’s character isn’t showcased properly, and hence the stakes remain low. Sunil is wasted in a poorly written role. The love track of Aishwarya Rajesh and the family dynamic of Naresh Agastya’s character both lack depth.

Technical Aspects:

Pravin Lakkaraju’s music is passable. Vamsi Patchipulusu’s cinematography is neat, capturing the series’ dark tone effectively. The production design is well executed, authentically recreating the 1980s setting. The editing is fine, and the production values are pretty good.

Direction by Garry BH could have been much better. The screenplay needed stronger scenes to do justice to the series backdrop and its dark world powered by war for supremacy. The premise had potential, but the presentation isn’t impressive.

Verdict:

On the whole, Isakapatnam is a so-so gangster action drama set in a gritty world. The series features good performances from Samuthirakani, Aishwarya Rajesh, and others, and the premise gives scope for intense storytelling. However, the absence of strongly written scenes, poorly etched characters, and the lack of tension in the proceedings keep it from being fully engaging. There are some decent moments, but they are short-lived.

123telugu.com Rating: 2.75/5

Reviewed by 123telugu Team 

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Movie Name : Transfer Trimurthulu

Release Date : June 19, 2026
123telugu.com Rating : 2.5/5
Starring : Vadde Naveen ,Rashi Singh ,Shilpa Tulaskar,Vivek Raghuvansi,Raghu Babu, and others
Director : Kamal Teja Narla
Producers : Vadde Naveen
Music Director : Kalyan Nayak
Cinematographer : Karthik Sujatha Saikumar
Editor : Vijay Mukthavarapu

Related Links : Trailer

Transfer Trimurthulu marks veteran actor Vadde Naveen’s comeback to the silver screen after a decade long hiatus. The cop action drama also starring Rashi Singh hit the big screens today. Let’s see how the movie is.

Story:

As the title suggests, Transfer Trimurthulu is about a constable (Vadde Naveen) who is often rewarded with transfers as he becomes a thorn in everyone’s side due to his truthful nature and strong work ethic. His honesty even leads to the collapse of a state government as he tries to expose a crime committed by one of the top leaders in the ruling party. What is that crime? Why does Trimurthulu take it so seriously? What challenges do he and his family face in this regard? This is what the movie is about.

Plus Points:

Generally, a protagonist trying to save someone who is genuinely in danger comes across as a routine scenario. But what if he attempts to save someone who is only pretending to be in danger? This particular moment is neatly executed and stands out as the main highlight of the first half.

The film starts off well with the introduction of Trimurthulu’s character and the problems that stem from his approach to work. Also, the director tried to present the hero as an underdog, and it actually made sense. There are heroic moments, but they don’t come across as over-the-top and blend well with the hero’s characterization.

Vadde Naveen looked comfortable in most scenes, and his body language suits the role quite well. There are some fun moments, and the actor performs well in those portions. Shilpa Tulaskar is fine as the Chief Minister.

Minus Points:

The core point chosen doesn’t have enough meat, and that’s the key shortcoming of Transfer Trimurthulu. The hero trying to expose a crime and deliver justice to the victim is a theme that has already been explored in many films, and there aren’t any out-of-the-box ideas to compensate for the familiar premise. The screenplay isn’t written well either to hold the attention throughout. There are decent moments, but they are few and far between.

The court proceedings towards the end remain watchable thanks to the presence of Vadlamani Srinivas and Sivannarayana, but the twist dilutes the impact altogether. It is highly reminiscent of a decade-old star hero film which also dealt with a similar theme.

An original idea with better writing for the climax could have worked much better. Not just this, but there is one more such crucial sequence where the protagonist saves his family skillfully, but again that isn’t unique. Rashi Singh’s character has limited scope.

The emotional core of the film isn’t as strong as intended. The family bond and the hero’s dynamic with his father feel mechanical. Upcoming filmmakers should avoid songs altogether when they don’t contribute to the narrative much. In particular, the special song involving a crucial eyewitness in a very important case, whose testimony could even bring down a government, didn’t seem logical.

Technical Aspects:

Songs by Kalyan Nayak are just okay, while the background score is impactful in some key moments. Karthik Sujatha Saikumar’s cinematography is good. The political meeting scene and the fight following it are captured well. The editing is below-par, while the production values are neat.

Debutant Kamal Teja could have done a better job. While the team promised unique content and thrilling elements, the film doesn’t feature anything groundbreaking and that’s the major complaint. Few moments are handled well, but the rest of the portions aren’t satisfactory.

Verdict:

On the whole, Transfer Trimurthulu is a familiar action drama with some decent moments here and there. Vadde Naveen’s honest performance and his underdog characterization are the main highlights. The lack of uniqueness in the plot and the underwhelming screenplay, coupled with seen-before ideas, bring the movie down.

123telugu.com Rating: 2.5/5

Reviewed by 123telugu Team

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Vanda-Devullu-Review

Vanda-Devullu-Review

Movie Name : Vanda Devullu

Release Date : June 19, 2026
123telugu.com Rating : 2.75/5
Starring : Vijay Antony, Swasika, Ajay Dhishan, Lijomol Jose, Karunaas, Sakthi, Kavya Anil
Director : Sasi
Producer : Meera Vijay Antony
Music Director : Balaji Sriram
Cinematographer : Viji Satheesh
Editor : Harish Yuvaraj

Related Links : Trailer

Vanda Devullu (Nooru Saami) marks the reunion of Bichagadu (Pichaikkaran) actor Vijay Antony and director Sasi. Their previous collaboration earned appreciation from audiences, creating a fair amount of curiosity around this film. With the movie hitting theatres today, let’s find out whether it lives up to the expectations.

Story:

Vaasavi (Swasika) is a middle-aged single mother raising her two sons, Baskar (Ajay Dhishan) and Vivek (Sakthi). As the sole breadwinner of the family, she shoulders every responsibility on her own. At one stage in her life, she wishes to remarry and start afresh. However, Baskar strongly opposes the idea, believing that marriage at her age would be inappropriate and socially unacceptable. Years later, Baskar undergoes a change of heart and realises that his mother deserves companionship and happiness. He begins encouraging her to remarry, but by then, Vaasavi herself is unwilling to take that step. This emotional conflict becomes the foundation of the story. Will she eventually agree to remarry, or will she spend the rest of her life alone? How do the villagers react when they learn about the situation? What is the response from her relatives? And how is Yedu Kondalu (Vijay Antony) connected to these developments? The film answers these questions as the narrative unfolds.

Plus Points:

Swasika delivers a remarkable performance and proves to be the film’s biggest strength. At first, one may wonder why she chose to portray a character much older than her real age. However, as the story progresses, it becomes evident why she accepted the role. The character is emotionally demanding and carries the weight of the entire narrative. Swasika embraces the challenge wholeheartedly and delivers a performance filled with conviction, maturity, and emotional depth. Her expressions, body language, and dialogue delivery elevate several scenes.

The film’s central premise is engaging. While the concept itself is not entirely new, the fact that it is inspired by a real-life incident involving a mother from a conservative village adds authenticity and emotional weight. Director Sasi presents the struggles faced by Vaasavi and the reactions of her relatives in a realistic manner. Many situations feel genuine because they mirror how people in similar circumstances might actually behave.

Ajay Dhishan performs adequately in his role and does what is required. Vijay Antony enters the narrative in the latter half and brings noticeable energy to the proceedings. His scenes with Swasika are among the film’s highlights and contribute significantly to the emotional impact. The second half, in particular, succeeds in keeping the audience invested, as the film effectively builds curiosity about how Vaasavi’s journey will ultimately conclude.

Minus Points:

The biggest drawback of Vanda Devullu is its sluggish first half. The narrative repeatedly circles around the same emotional conflict between the mother and her sons, making the proceedings feel repetitive. Instead of creating anticipation about where the story is heading, several scenes give the impression that the film is moving in circles. As a result, the audience is left waiting for the story to progress meaningfully before the interval.

The drama also needed stronger writing. Given the emotional potential of the subject, the film could have explored the conflicts with greater intensity and generated stronger emotional stakes. While the core idea is compelling, the screenplay often settles for a surface-level treatment instead of extracting maximum impact from crucial moments.

Another issue is the underutilisation of several supporting characters. The film introduces multiple characters who appear important initially but ultimately have very little influence on the narrative. Better usage of these roles could have added more depth to the story.

A number of scenes in the first half and a few in the second half feel stretched beyond necessity. Tighter narration and sharper editing would have significantly improved the overall pace. Additionally, the frequent insertion of comedy during emotionally charged moments weakens the dramatic impact. This tonal inconsistency affects several scenes that could have otherwise landed with greater effectiveness.

Technical Aspects:

Director Sasi deserves credit for handling the emotional core of the story with sincerity. His strength lies in portraying human relationships and social realities with authenticity. However, the screenplay lacks the urgency required to keep the audience consistently engaged, especially during the first half. Stronger writing and a more focused narrative could have elevated the film considerably.

Darshan Kirlosh’s cinematography effectively captures the rural setting and lends authenticity to the proceedings. The village atmosphere feels natural and believable throughout. Harish Yuvaraj’s editing is one of the weaker aspects of the film, as several sequences could have been trimmed for better impact. Balaji Sriram’s music serves the narrative reasonably well, though portions of the background score occasionally evoke a sense of familiarity. The Telugu dubbing is decent and blends well with the narrative. Bhashyasree’s Telugu dialogues are sharp and suit the emotional nature of the story.

Verdict:

the whole, Vanda Devullu works to an extent, thanks to its emotionally driven storyline and Swasika’s outstanding performance. She is the film’s biggest strength, while the second half delivers several engaging moments and emotional payoffs, with Vijay Antony adding value through his presence. However, a slow and repetitive first half, underutilised supporting characters, and an uneven screenplay hold the film back from reaching its full potential. Despite these flaws, its strong emotional core and realistic portrayal of a sensitive subject make it just a passable watch for fans of character-driven dramas.

123telugu.com Rating: 2.75/5

Reviewed by 123telugu Team

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Web Series Name : Save The Tigers S3
Streaming Date : June 19, 2026
Streaming Platform : JioHotstar
123telugu.com Rating : 3/5
Starring : Priyadarshi, Abhinav Gomatam, Chaitanya Krishna, Seerat Kapoor, Vennela Kishore
Director : Sriraam Eragam
Producers : Shiva Meka, Sahiti Chintalapudi
Music Director : N. Venkata swamy
Cinematographer  : S.V. Vishweshwar
Editor : Ajay Arasada

Related Links : Trailer

Save The Tigers is back with a brand new season, and the third installment is now streaming on JioHotstar. The lovely couples Priyadarshi and Jordaar Sujatha, Abhinav Gomatam and Pavani Gangireddy, and Krishna Chaitanya alongside Deviyani Sharma return to bring another round of chaos, emotions and comedy. Does the latest season live up to the success of its predecessors? Let’s find out.

Story:

After the chaos surrounding actress Hamsalekha (Seerat Kapoor), Ghanta Ravi (Priyadarshi) moves with his family to a new community. Rahul (Abhinav Gomatam) finds himself stuck in a job he hates, while Vikram (Chaitanya Krishna) struggles to move on from his divorce. Frustrated with how their lives have turned out, the trio reunites and questions Lord Indra (Vennela Kishore). Determined to give them a fresh start, Indra tasks Chitragupta (Gundu Sudarshan) with setting things right. Arriving on Earth with an unexpected proposal, Chitragupta offers the three friends a life-changing deal. Will they accept it, and what consequences will follow? The answers unfold in the latest chapter of their journey.

Plus Points:

Save The Tigers S3 gets a new director in Sriraam Eragam, but the shift is hardly noticeable as the series retains the same flavour that made the first two seasons popular. The biggest strength of the new season is that it never forgets its primary purpose, which is to keep the audience engaged with light-hearted fun.

The fantasy angle adds freshness to the proceedings and opens the door for several entertaining moments. Priyadarshi and Abhinav Gomatam are dependable as always and deliver exactly what is expected of them. However, the biggest surprise this time is Krishna Chaitanya. His portrayal of a frustrated man dealing with personal issues results in some of the season’s best moments. His attire, expressions, dialogue delivery and body language work very well, making him the standout performer of the show.

Jordaar Sujatha, Pavani Gangireddy and Deviyani Sharma are good in their respective roles and contribute effectively to the narrative. Deviyani Sharma gets a noticeably different character this time around and handles it with ease. Her innocent nature and fearful attitude towards her husband generate a few amusing moments.

Rohini once again proves to be one of the major assets of the series. Her comic timing is spot on and many of her scenes land perfectly. She particularly shines in the climax portions. Gundu Sudarshan performs his role well, while the emotional moments woven into the narrative also work for the most part and prevent the show from becoming one dimensional.

Minus Points:

While the season succeeds in generating plenty of laughs, the excessive use of cuss words and repeated references to adultery may not go down well with family audiences. Considering the franchise enjoys a wide family following, these aspects could have been toned down.

The middle portion suffers from pacing issues. A couple of episodes feel stretched and certain situations continue longer than necessary. A tighter screenplay would have made the viewing experience more engaging.

Vennela Kishore gets an interesting role, but his potential is not fully utilised. Given his strengths as a performer, a few additional scenes involving his character could have added more value to the overall proceedings.

Technical Aspects:

Director Sriraam Eragam does a good job of maintaining the spirit of the franchise. Along with the writers, he succeeds in delivering an enjoyable season despite a few pacing issues. The writing works well in several places, particularly during the interactions between the lead characters.

The production values are neat and consistent with the standards set by the previous seasons. Shravan Katikaneni’s editing is decent, though trimming some portions in the middle would have helped. S. V. Vishweshwar’s cinematography serves the story well, while Ajay Arasada’s music complements both the humorous and emotional moments effectively.

Verdict:

On the whole, Save The Tigers Season 3 is a watchable fun series and is elevated by the performances of Priyadarshi, Abhinav Gomatam, and Krishna Chaitanya. The fantasy element brings a fresh twist, and several comedy moments work well. While the middle portions feel a bit stretched and some jokes may not resonate with everyone, the series still delivers enough entertainment. Fans of the previous seasons are likely to find this latest installment an enjoyable weekend watch.

123telugu.com Rating: 3/5

Reviewed by 123telugu Team 

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Youth Review

Youth Review

Movie Name : YOUTH

Release Date : Mar 27, 2026
123telugu.com Rating : 3/5
Starring : Ken Karunas, Anishma Anilkumar, Suraj Venjaramoodu, Priyanshi Yadav, Meenakshi Dinesh and Others
Director : Ken Karunas
Producers : Karuppiah C. Ram, Sulochana Kumar
Music Director : G.V. Prakash Kumar
Cinematographer : Viki
Editor :  Nash

Related Links : Trailer

A coming-of-age film titled Youth was released in Kollywood last week, and its Telugu version, under the same name, has now hit the big screens. Here’s a look at how it fares.

Story:

Set in 2014 in Chennai, Praveen (Ken Karunas) is not interested in studies, but his mother Saroja (Devadarshini) wants him to become an IAS officer. In contrast, he barely secures admission into an intermediate college, where he falls in love with Preshika (Meenakshi Dinesh) and also develops feelings for Sonal (Priyanshi Yadav). Eventually, he loses both of them. Later, he falls in love with Gaganavalli (Anishma Anilkumar), but things once again don’t go in his favour, and she places a condition before accepting his love. What is that condition? What happens to his mother’s dream? What does Praveen learn in the end? The rest of the story answers these questions.

Plus Points:

Ken Karunas makes a confident debut as a hero and performs with ease. His comedic timing and dialogue delivery suit the character well. He represents the journey of many young boys, making it easy for the audience to connect with him.

As a coming-of-age story, one may not expect heavy emotions throughout, but the climax turns out to be the heart of the film, with the pre-climax building it effectively.

The performances of Devadarshini and Suraj Venjaramoodu as his parents are commendable, especially in the climax, which connects emotionally. Until then, the film plays out as a youthful story filled with mischievous moments and adolescence-driven fun. However, the emotional shift in the climax is impactful, making it a notable win for Ken as a director.

Meenakshi Dinesh and Priyanshi Yadav look lovely on screen, and their scenes with Ken are enjoyable, even if somewhat predictable. Anishma Anilkumar, known for Sirai, portrays an innocent and relatable character, reflecting the mindset of many girl students.

The father-son scenes are highly relatable, balancing humour and emotion. The love tracks and friendly banter help maintain engagement. The Telugu dialogues are neatly written, adding a local flavour. GV Prakash Kumar’s music is another major asset. The popular song “Chamiki (Mutta Kalakki)” is well shot and placed effectively.

Minus Points:

Youth follows a familiar coming-of-age template centred around academics and love life, making the storyline easy to predict. Expecting something unconventional may lead to disappointment. Although Ken and his gang keep the film watchable through their performances and music, the writing could have been stronger.

Many scenes feel familiar. After a fair first half, the second half lacks freshness, repeating the same pattern with another love track until the pre-climax shift. This could have been handled better.

The friends’ characters are entertaining but tend to feel repetitive without adding much new value. In the climax, the portrayal of the protagonist’s academic performance and results feels unrealistic and difficult to believe. Although the emotional impact works, the logic behind it feels weak.

Technical Aspects:

Ken Karunas deserves appreciation for making the film a decent watch despite its familiar storyline. For a debutant, delivering a 2.5-hour film filled with humour and ending on an emotional note is commendable.

GV Prakash Kumar’s music and background score elevate many scenes and significantly enhance the film. Cinematography by Viki is decent. Editing by Nash is adequate, though the second half could have been tighter. Production values are satisfactory. The Telugu dubbing is acceptable overall, but a few characters, especially Anishma, feel slightly out of sync.

Verdict:

On the whole, Youth is a decent outing, with Ken Karunas delivering effectively as both actor and director. The love tracks, comedy, music, and especially the pre-climax to climax stretch work well. On the downside, the familiar setup and a few laggy moments in the second half hold it back. Overall, it is a watchable youth drama that resonates strongly with younger audiences while still appealing to others.

123telugu.com Rating: 3/5

Reviewed by 123telugu Team 

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happy-raja-movie

happy-raja-movie

Movie Name : Happy Raj

Release Date : Mar 27, 2026
123telugu.com Rating : 2.75/5
Starring : GV Prakash, Abbas, Sri Gouri Priya, George Maryan and others
Director : Maria Raja Elanchezian
Producers : Jaivarda
Music Director : Justin Prabhakaran
Cinematographer : Madhan Chirstopher
Editor :  Selva RK

Related Links : Trailer

Music composer G.V. Prakash Kumar has now come up with the family entertainer Happy Raj. Sri Gouri Priya played the female lead. Let’s see how the film is.

Story:

Ananda Raj, a.k.a. Happy Raj (G.V. Prakash), is ridiculed by everyone in his village because of his father (George Maryan). No one likes him for this reason, so he moves to Bangalore and lands a corporate job. There, he grows close to Kavya (Sri Gouri Priya), and they eventually fall in love. However, problems arise due to the cultural differences between their families.

Plus Points:

The film explores the father-son bond in a neat manner. Though the protagonist is constantly ridiculed because of his father, he never speaks a hurtful word against him. The dialogues toward the end between George Maryan and G.V. Prakash Kumar, describing this aspect, are well-written and effectively presented. George Maryan left a solid impact with his performance, which is sure to draw whistles from the crowd.

The second half of the film offers a decent mix of fun and emotions. From the moment the heroine’s family moves to the hero’s village, things get engaging. The episodes revolving around the “sorry” theme are decently entertaining.

G.V. Prakash Kumar did a really good job as Happy Raj. As someone who suffers because of his father and struggles to keep up with his in-laws, the music director-turned-actor displays good variations. Sri Gouri Priya is one of the most promising finds in South cinema. She has the potential to become a star, as she is both charming and equally good at acting. Abbas makes his presence felt.

Minus Points:

The first half has plenty of boring scenes, and the comedy moments don’t quite hit the mark. Things aren’t much exciting here, and the film moves ahead in an underwhelming manner without any big moments till the halfway mark. The songs aren’t catchy either.

There are a couple of emotional tracks in the film. While the one involving the hero and his father clicks, the other one related to Abbas’ character feels unconvincing and is also a bit contradictory to what the film showcases.

Also, the conflict between the lead pair isn’t shown effectively and lacks clarity. Had these two elements been handled better, the film could have been more engaging. The editing is below par, and the film feels dragged.

Technical Aspects:

Justin Prabhakaran’s music is ordinary, and the Telugu translation could have been better. Madhan Christopher’s cinematography is fine, and the production values are neat, though some VFX work feels patchy.

Direction by Maria Raja Elanchezian is just okay. While some moments are handled well, others needed more refinement. The attempt to deliver a wholesome family entertainer is evident, but the film works only in bits and pieces.

Verdict:

On the whole, Happy Raj is a family entertainer that works in parts, with a comparatively better second half. GV Prakash Kumar, Sri Gouri Priya, and George Maryan deliver very good performances, and the second half offers some good moments. However, the not-so-effective first half, unconvincing segments, and dragged moments prevent it from fully working.

123telugu.com Rating: 2.75/5

Reviewed by 123telugu Team 

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Band Melam Review

Band Melam Review

Movie Name : Band Melam

Release Date : Mar 26, 2026
123telugu.com Rating : 2.25/5
Starring : Harsh Roshan, Sridevi, Sai Kumar & Others.
Director : Sathish Javvaji
Producers : Kavya, Shravya
Music Director : Vijai Bulganin
Cinematographer : Satish Mutyala
Editor :  Siva Mupparaju

Related Links : Trailer

Court pair Harsh Roshan and Sridevi have now teamed up for the romantic drama Band Melam. The movie is now out in theatres, and let’s see how it is.

Story:

Yadagiri (Harsh Roshan) and Raaji (Sridevi) are cousins who have been lovebirds since childhood. Raaji is good at studies, while Yadagiri is a school dropout. As they grow and move through different phases of life, Raaji forgets Yadagiri. However, he continues to love her and decides to make it big in the music industry. The rest of the film showcases Yadagiri’s efforts to succeed in life and win her love.

Plus Points:

Despite being in the initial days of their careers, the lead pair did a convincing job with their performances in this commercial potboiler. Harsh Roshan is neat as a rural boy with a touch of mischief and innocence. Sridevi Apalla’s portrayal of Raaji is fair, and she shares good chemistry with the protagonist.

The final song “Thippukuntunnaav” is vibrant on screen. The first half is passable to an extent, with its humor quotient working in parts. Some comedy scenes land well. The actors who played Harsh Roshan’s friends did well in their respective roles. Vijay Bulganin’s music is effective, and he tries his best to lift the film.

Minus Points:

The main issue with Band Melam is its age-old content. The story has already been explored multiple times in Tollywood, and the screenplay offers nothing fresh to make the film work. Sai Kumar and other senior actors don’t get much scope to perform.

While there is some entertainment in the first half, the second half turns heavily tedious with mostly boring episodes. There’s too much lag in the proceedings, and the main story gets somewhat sidelined. Even with a crisp runtime, the film feels overlong, and the editing could have been better.

Some moments fail to evoke the necessary emotion. Until the climax, Band Melam heavily resembles a superhit film from a decade ago. Though there is a twist towards the end that makes it slightly different, it isn’t presented effectively, and the emotions fail to land.

Technical Aspects:

Vijay Bulganin’s music is very good to listen to, with three songs in the film being quite appealing. Satish Mutyala’s cinematography is alright, and the production values look decent. However, the editing and screenplay are not up to the mark.

Coming to the director, Sathish Javvaji, he delivered a below-par outing. While the first half offers some respite with a few fun moments, the second half turns tiresome as the story doesn’t progress and the final twist fails to click.

Verdict:

On the whole, Band Melam is a disappointing romantic drama with a so-so first half and a highly boring second half. Harsh Roshan and Sridevi Apalla perform well, and the music is good. However, the routine storyline, largely unengaging second half, and lack of emotional depth and freshness in the screenplay make it tough to sit through.

123telugu.com Rating: 2.25/5

Reviewed by 123telugu Team 

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Vishnu Vinyasam

Vishnu Vinyasam

Movie Name : Vishnu Vinyasam

Release Date : Feb 27, 2026
123telugu.com Rating : 2.75/5
Starring : Sree Vishnu, Nayana Sarika, Satya and others
Director : Yadunaath Maruthi Rao
Producer : Sumanth Naidu G
Music Director : Radhan
Cinematographer : Sai Sriram
Editor :  Kartikeyan Rohini

Related Links : Trailer

Sree Vishnu has now come up with the rom-com entertainer Vishnu Vinyasam. The movie is directed by debutant Maruthi Rao and features Nayan Sarika as the female lead. Let’s see how the film is.

Story:

Vishnu (Sree Vishnu) works as a junior lecturer at a private college in Ongole. He is a superstitious person who deeply believes in astrology and numerology. Before doing anything, he even seeks the advice of an astrologer. That’s how strongly he trusts them. He comes across a crazy woman, Manisha (Nayan Sarika), and slowly falls for her. But little does Vishnu know about the danger that is about to shatter his life because of Manisha.

Plus Points:

Those who enjoy Sree Vishnu’s signature comedy and antics won’t be disappointed, as Vishnu Vinyasam features some well-executed entertaining episodes centered around him. The actor once again impresses with his impeccable comic timing and generates good laughs living up to his tag ‘King of Entertainment.’ The sequence where he sings the popular songs “Veeri Veeri Gummadi Pandu” and “Vaana Vaana Vaana” has come out quite well. Overall, he has done complete justice to his role.

With Vishnu Vinyasam, Nayan Sarika proves that she is a capable actress with the ability to handle tougher roles as well. Not only does she look ravishing, but she also impresses with her performance. The actress shares good chemistry with Sree Vishnu and delivers a neat performance in the emotional moments too.

There are some good fun-inducing moments in the film, mostly in the first half. This is where the film moves at a brisk pace without many dull moments. Satya is decent as Sree Vishnu’s friend. The supporting cast is fine in their respective roles.

Minus Points:

While the first half focuses on youthful entertainment, the focus shifts to family drama in the second hour, and this is where the film gives a dragged out feeling and also turns boring and tedious.

A few important twists are revealed as the film reaches its fag end, but they have already been explored earlier in Tollywood, which takes away the freshness. Because of these twists, Vishnu Vinyasam reminds us of a few popular films that dealt with similar themes. Certain portions are over-the-top.

The approach adopted by the villains to fulfill their motives isn’t convincing enough and their actions come across as silly. Had the family drama been handled more effectively, the film could have shaped up into a neat entertainer. The music is below par, and not even a single song stands out as memorable or enjoyable.

Technical Aspects:

Sai Sriram’s cinematography is good, and the small-town backdrop is portrayed effectively. As mentioned earlier, Radhan’s music could have been much better. The production values are adequate, but the editing needed tighter refinement.

Debutant director Yaadunath Maruthi Rao handles the first half in a decent manner, but the momentum doesn’t sustain in the latter half. The core point of the film isn’t new and required a more engaging and convincing presentation.

Verdict:

On the whole, Vishnu Vinyasam works only in parts, offering a few entertaining moments. The film benefits largely from Sree Vishnu’s captivating performance and comic timing, while Nayan Sarika also does a good job. The first half is handled decently, but the momentum dips after the interval due to dragged-out episodes and illogical moments. The core premise isn’t new, and its treatment makes the film fall short of being a satisfactory outing.

123telugu.com Rating: 2.75/5

Reviewed by 123telugu Team 

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